Popular cinema of the Third Reich /
Call Number: | Libro Electrónico |
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Main Author: | |
Format: | Electronic eBook |
Language: | Inglés |
Published: |
Austin, TX :
University of Texas Press,
2001.
|
Edition: | 1st ed. |
Subjects: | |
Online Access: | Texto completo |
Table of Contents:
- PREFACE
- 1. POPULAR CINEMA, NATIONAL CINEMA, NAZI CINEMA: A DEFINITION OF TERMS
- 2. MADE IN 1933: GERMAN-JEWISH FILMMAKERS AND THE FORCED COORDINATION OF THE INDUSTRY
- 3. CINEMA, SET DESIGN, AND THE DOMESTICATION OF MODERNISM
- 4. AT THE MOVIES: FILM AUDIENCES AND THE PROBLEM OF SPECTATORSHIP
- 5. STARS: HEINZ RÜHMANN AND THE PERFORMANCE OF THE ORDINARY
- 6. DETLEF SIERCK AND Schlußakkord (FINAL CHORD, 1936): A CASE STUDY OF FILM AUTHORSHIP
- 7. THE FOREIGN AND THE FAMILIAR: ON GERMAN-AMERICAN FILM RELATIONS, 1933-1940.
- 8. THE ANNEXATION OF AN IMAGINARY CITY: THE TOPOS "VIENNA" AND THE WIEN-FILM AG
- 9. THE POWER OF THOUGHT: REDEFINING POPULAR CINEMA BETWEEN REALISM AND ILLUSIONISM
- 10. A QUESTION OF REPRESENTATION: WORKING WOMEN AND WARTIME CINEMA
- 11. THE LEGACIES OF THE PAST IN THE CINEMA OF POSTWAR RECONSTRUCTION
- NOTES
- 1. POPULAR CINEMA, NATIONAL CINEMA, NAZI CINEMA: A DEFINITION OF TERMS
- 2. MADE IN 1933: GERMAN-JEWISH FILMMAKERS AND THE FORCED COORDINATION OF THE INDUSTRY
- 3. CINEMA, SET DESIGN, AND THE DOMESTICATION OF MODERNISM.
- 4. AT THE MOVIES: FILM AUDIENCES AND THE PROBLEM OF SPECTATORSHIP
- 5. STARS: HEINZ RÜHMANN AND THE PERFORMANCE OF THE ORDINARY
- 6. DETLEF SIERCK AND SCHLUßAKKORD (FINAL CHORD, 1936): A CASE STUDY OF FILM AUTHORSHIP
- 7. THE FOREIGN AND THE FAMILIAR: ON GERMANAMERICAN FILM RELATIONS, 1933-1940
- 8. THE ANNEXATION OF AN IMAGINARY CITY: THE TOPOS "VIENNA" AND THE WIEN-FILM AG
- 9. THE POWER OF THOUGHT: REDEFINING POPULAR CINEMA BETWEEN REALISM AND ILLUSIONISM
- 10. A QUESTION OF REPRESENTATION: WORKING WOMEN AND WARTIME CINEMA.
- 11. THE LEGACIES OF THE PAST IN THE CINEMA OF POSTWAR RECONSTRUCTION
- SELECT BIBLIOGRAPHY
- INDEX OF GERMAN TITLES AND NAMES.