Shakespeare, Brecht, and the intercultural sign /

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Examines Asian staging of Western canonical theater, particularly Shakespeare's plays, arguing that intercultural performance questions the settled assumptions we bring to our interpretations of familiar texts.

Bibliographic Details
Call Number:Libro Electrónico
Main Author: Tatlow, Antony
Format: Electronic eBook
Language:Inglés
Published: Durham [N.C.] : Duke University Press, 2001.
Series:Post-contemporary interventions.
Subjects:
Shakespeare, William, > 1564-1616 > Adaptations > History and criticism.
Brecht, Bertolt, > 1898-1956 > Adaptations > History and criticism.
Shakespeare, William, > 1564-1616 > Appreciation > Asia.
Brecht, Bertolt, > 1898-1956 > Appreciation > Asia.
Shakespeare, William, > 1564-1616 > Adaptations > Histoire et critique.
Brecht, Bertolt, > 1898-1956 > Adaptations > Histoire et critique.
Shakespeare, William, > 1564-1616 > Appréciation > Asie.
Brecht, Bertolt, > 1898-1956 > Appréciation > Asie.
Brecht, Bertolt, > 1898-1956
Shakespeare, William, > 1564-1616
Intercultural communication in literature.
Intercultural communication.
Theater > Asia > History.
Communication interculturelle dans la littérature.
Communication interculturelle.
Théâtre > Asie > Histoire.
theater (discipline)
LITERARY CRITICISM > Shakespeare.
Art appreciation
Intercultural communication
Intercultural communication in literature
Literature > Adaptations
Theater
Toneel.
Toneelvoorstellingen.
Interculturele communicatie.
Asia
Criticism, interpretation, etc.
History
Online Access:Texto completo
Table of Contents:
  • 1. Reading the intercultural: cultures of reading
  • 2. Intercultural signs: textual anthropology
  • 3. Desire, laughter, and the social unconscious
  • 4. Historicizing the unconscious in Plautine and Shakespearean farce
  • 5. Coriolanus and the historical text
  • 6. Macbath in Kunju opera
  • Epilogue.

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