The eyes of power : art and early Tokugawa authority /

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In the first half of the seventeenth century both those who commissioned and those who viewed art in Japan were primarily the elite -- the shogun, the court, high-ranking daimyo, government officials, and certain wealthy merchants. Much of the artistic energy engaged by the political center during t...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Gerhart, Karen M., 1949-
Format: Electronic eBook
Language:Inglés
Published: Honolulu : University of Hawai'i Press, ©1999.
Subjects:
Tokugawa, Iemitsu, > 1604-1651 > Art patronage.
Tokugawa, Iemitsu, > 1604-1651.
Tokugawa (famille) > Mécénat.
Tokugawa, Iemitsu.
1600-1868
Art, Japanese > Edo period, 1600-1868.
Politics in art.
Art and state > Japan.
Art japonais > 1600-1868 (Époque d'Edo)
Politique dans l'art.
Art > Politique gouvernementale > Japon.
ART > Asian.
Art and state.
Art, Japanese > Edo period.
Art patronage.
Edo-Zeit
Geschichte
Kunstpolitik
Kunst
Kunst.
Art > Japon > 1600-1868 (Époque d'Edo)
Art et État > Japon.
Art et politique > Japon.
Geschichte 1603-1867.
Japan.
Japan
Online Access:Texto completo
Table of Contents:
  • Pine trees as political iconography at Nijō Castle
  • Chinese exemplars and virtuous rulers at Nagoya Castle
  • Nikkō's Yōmeimon: sculpture and sacred landscape
  • The Tōshō Daigongen engi as political propaganda.

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