Nō and kyōgen in the contemporary world /

How do classical, highly codified theater arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essay presented here investigate these questions, examining the contemporary significance of the "classic" no and kyogen...

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Bibliographic Details
Call Number:Libro Electrónico
Other Authors: Brandon, James R.
Format: Electronic eBook
Language:Inglés
Published: Honolulu, Hawaii : University of Hawai'i Press, ©1997.
Subjects:
Nō > Congresses.
Kyōgen > Congresses.
Nō > Congrès.
Kyōgen > Congrès.
PERFORMING ARTS > Theater > History & Criticism.
Kyōgen
Nō
Nō-Spiel
Kyogen
Nō.
Kyogen.
Théâtre japonais > Congrès.
Nô > Congrès.
Manoa <Hawaii, 1988>
"Selected essays originally presented at the international conference ... held on the Manoa campus of the University of Hawai'i, from 4 to 6 May 1989" > Pref.
"Multi-User"
Conference papers and proceedings
Congressen (vorm)
Online Access:Texto completo
Table of Contents:
  • Part I: Values of Nō and Kyōgen in contemporary society
  • Expanding Nō's horizons: considerations for a new Nō perspective / Richard Emmert
  • Yūgen after Seami / Arthur H. Thornhill III
  • The Waki-Shite relationship in Nō / Royall Tyler
  • Part II: Adaptation of Nō and Kyōgen to contemporary audiences
  • A return to essence through misconception: from Zeami to Hisao / Nagao Kazuo
  • Nō changes / Tom Hare
  • Dialogue and monologue in Nō / Dōmoto Masaki
  • Part III: Encounters with the West
  • Experiments in Kyōgen / Nomura Mansaku
  • Contemporary audiences and the pilgrimage to Nō / J. Thomas Rimer
  • Teaching the paradox of Nō / Nomura Shirō
  • Pidgin-Creole performance experiment and the emerging entre-garde / Jonah Salz.

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