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|a Rosenbaum, Jonathan,
|d 1943-
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|a Movies as politics /
|c Jonathan Rosenbaum.
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|a Berkeley, Calif. :
|b University of California Press,
|c ©1997.
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| 300 |
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|a 1 online resource (xi, 359 pages)
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|a text
|b txt
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|a online resource
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|a Includes bibliographical references and index.
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|a [Part] one : The politics of form -- Language, representation, narrative. Say the right thing (Do the right thing) ; Interruption as style : Buñuel's The discreet charm of the bourgeoisie ; Polanski and the American experiment (Bitter moon) -- Utopian space and urban encounters. Tati's democracy ; His mistress's voice : Akerman's Night and day ; Seen and unseen encounters : Kieslowski's Red -- Chance and control. Altman and the spirit of improvisation (California split) ; Lies of the mind (Talking to strangers) -- Classification and genre : musical ghettos. On Latcho drom ; Four books on the Hollywood musical -- [Part] two : Entertainment as oppression : the Hollywood apparatus. Entertainment as oppression ; Missing the target ; Spielberg's gentiles (Schindler's list) ; The solitary pleasures of Star wars ; Jack Reed's Christmas puppy : reflections on Reds ; A perversion of the past (Mississippi burning) ; Circle of pain : the cinema of Nicholas Ray ; Vietnam, the theme park (Hearts of darkness : a filmmaker's apocalypse) ; Sexual discourse (The piano) ; Hollywood radical (Malcolm X) ; Ace Ventura reconsidered ; The world according to Harvey and Bob (Smoke, the glass shield) ; Stupidity as redemption (Forrest Gump) ; Allusion profusion (Ed Wood, Pulp fiction).
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|a [Part] three : Issues of ideology -- Alternatives. The problem with poetry : Leos Carax ; No stars, a must-see (The plot against Harry) ; The rattle of armor, the softness of flesh : Bresson's Lancelot du Lac ; The functions of a disease (Safe) ; England on the inside : the films of Mike Leigh -- Political subjects. The significance of sniggering : Zwigoff's Crumb ; Jean Eustache's La Maman et la putain ; Film writing degree zero : the marketplace and the university ; Tribal trouble (Atom Egoyan's Calendar) ; Us and them (Blood in the face) -- Other cinemas. Feudal attraction (Ju dou) ; The vision of the conquered (Kurosawa's Rhapsody in August) ; Searching for Taiwan (The puppet master) ; Inner space (Tarkovsky's Solaris) ; Tribal scars (Sembene's Black girl) -- Alternate histories. The seven Arkadins ; Tih-Minh, out 1 : on the nonreception of two French serials ; His twentieth century : Godard's Histoire(s) du cinema ; Pages from the Endfield file ; On second thoughs (Marker's The last bolshevik).
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|a Print version record.
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|a English.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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| 650 |
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|a Motion pictures
|x Political aspects.
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| 650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a Motion pictures
|x Political aspects.
|2 fast
|0 (OCoLC)fst01027353
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| 650 |
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|a PERFORMING ARTS / Film / General
|2 bisacsh
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|i Print version:
|a Rosenbaum, Jonathan.
|t Movies as politics.
|d Berkeley, Calif. : University of California Press, ©1997
|z 0520206142
|w (DLC) 96009916
|w (OCoLC)35285312
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.5973128
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