Marginal sights : staging the Chinese in America /
Since the beginning of the Western tradition in drama, dominant cultures have theatrically represented marginal or foreign racial groups as "other" & different form "normal" people, not completely human, uncivilized, quaint, exotic, comic. Playwrights and audiences alike have...
Call Number: | Libro Electrónico |
---|---|
Main Author: | |
Format: | Electronic eBook |
Language: | Inglés |
Published: |
Iowa City :
University of Iowa,
©1993.
|
Series: | Studies in theatre history and culture.
|
Subjects: |
Américain d'origine chinoise (peuple)
> culture
> représentation sociale
> stéréotype
> études diverses.
Américain d'origine chinoise (peuple)
> littérature américaine (Etats-Unis)
> représentation sociale
> stéréotype
> études diverses.
Américain d'origine chinoise (peuple)
> représentation sociale
> stéréotype
> théâtre américain (Etats-Unis)
|
Online Access: | Texto completo |
Table of Contents:
- Introduction: Siting Race/Staging Chineseness
- The Panoptic Empire of the Gaze: Authenticity and the Touristic Siting of Chinese America
- Bret Harte and Mark Twain's Ah Sin: Locating China in the Geography of the American West
- Henry Grimm's The Chinese Must Go: Theatricalizing Absence Desired
- Panoptic Containment: The Performance of Anthropology at the Columbian Exposition
- Animating the Chinese: Psychologizing the Details
- Casualties of War: The Death of Asia on the American Field of Representation
- Eugene O'Neill's Marco Millions: Desiring Marginality and the Dematerialization of Asia
- Disfiguring The Castle of Fu Manchu: Racism Reinscribed in the Playground of the Postmodern
- Flawed Self-Representations: Authenticating Chinese American Marginality
- Imperial Pornographies of Virtuosity: Problematizing Asian American Life.