Nationalizing blackness : afrocubanismo and artistic revolution in Havana, 1920-1940 /

"An examination of Cuban society through the music of the 1920s-30s when it began to embrace Afro-Cuban culture. Traces how the African element of Cuban society became associated with national identity. Among topics examined are carnival bands, son music, cabaret rumba, and blackface theater sh...

Description complète

Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Moore, Robin D., 1964-
Format: Électronique eBook
Langue:Inglés
Publié: Pittsburgh, Pa. : University of Pittsburgh Press, ©1997.
Collection:Pitt Latin American series.
University of Pittsburgh Press Digital Editions
University of Pittsburgh Digital Collections
Sujets:
Geschichte 1920-1940.
Popular music > Cuba > African influences.
Black people > Cuba > Music.
Popular culture > Cuba > African influences.
Musique populaire > Cuba > Influence africaine.
Personnes noires > Cuba > Musique.
Culture populaire > Cuba > Influence africaine.
MUSIC > Genres & Styles > International.
MUSIC > Genres & Styles > Pop Vocal.
MUSIC > Genres & Styles > New Age.
Black people.
Popular culture > African influences.
Popular music > African influences.
Afro-cuban jazz
Culturele bewegingen.
Noirs > Cuba > Musique.
Cuba.
Havanna
Music.
Accès en ligne:Texto completo
Table des matières:
  • Afrocubans and national culture
  • Minstrelsy in Havana: music and dance of the Teatro Vernaculo
  • Comparsas and carnival in the new republic: four decades of cultural controversy
  • Echale salsita: sones and musical revolution
  • Nationalizing blackness: the vogue of Afrocubanismo
  • Rumba craze: Afrocuban arts as international popular culture
  • Minorista vanguard: modernism and Afrocubanismo.

Documents similaires