The red years of Cahiers du cinéma (1968-1973). Volume II, Aesthetics and ontology /

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The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, 'Cahiers du cinéma' embarked on a militant turn that would govern the journal's work over the next five ye...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Fairfax, Daniel (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Amsterdam : Amsterdam University Press, [2021]
Collection:Film culture in transition.
Sujets:
Cahiers du cinéma.
Cahiers du cinéma
Motion pictures > France > Periodicals.
Cinéma > France > Périodiques.
Film theory and criticism.
Social and cultural history.
Marxism and Communism.
Political Science > Political Ideologies > Communism, Post-communism & Socialism.
Performing Arts > Film > History & Criticism.
History > Social History.
Motion pictures
France
Cahiers du cinéma, film theory, apparatus theory, political modernism, French cinema.
Electronic books.
Periodicals
Accès en ligne:Texto completo
Table des matières:
  • Frontmatter
  • Table of Contents
  • Volume II: Aesthetics and Ontology
  • Part III. Questions of Aesthetics
  • Part IV. Encounters with Ontology
  • Conclusion
  • Index of Names Cited

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