Jihadi Audiovisuality and Its Entanglements : Meanings, Aesthetics, Appropriations /
Explores the use of images, sounds and videos in Jihadi media and how people engage with them.
Cote: | Libro Electrónico |
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Autres auteurs: | , |
Format: | Électronique eBook |
Langue: | Inglés |
Publié: |
Edinburgh :
Edinburgh University Press,
[2020]
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Sujets: | |
Accès en ligne: | Texto completo |
Table des matières:
- JIHADI AUDIOVISUALITY AND ITS ENTANGLEMENTS
- Copyright
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Introduction
- Jihadi Audiovisuality and Its Entanglements: A Conceptual Framework
- Part A ETHICAL CHALLENGES OF EMPIRICALLY GROUNDED RESEARCH ON JIHADISM
- 1 On Speaking, Remaining Silent and Being Heard: Framing Research, Positionality and Publics in the Jihadi Field
- 2 Designing Research on Radicalisation using Social Media Content: Data Protection Regulations as Challenges and Opportunities
- 3 Ethics in Gender Online Research: A Facebook Case Study
- Part B VISUALISING JIHADI IDEOLOGY AND ACTION
- 4 Appropriation in Islamic State Propaganda: A Theoretical and Analytical Framework of Types and Dimensions
- 5 Visual Performativity of Violence: Power and Retaliatory Humiliation in Islamic State (IS) Beheading Videos
- 6 From the Darkness into the Light: Narratives of Conversion in Jihadi Videos
- Part C APPROPRIATING AND CONTESTING JIHADI AUDIOVISUALITY
- 7 Artivism, Politics and Islam
- An Empirical-Theoretical Approach to Artistic Strategies and Aesthetic Counter-Narratives
- 8 Re-enacting Violence: Contesting Public Spheres with Appropriations of IS Execution Videos
- 9 'You're against Dawla, but you're Listening to their Nasheeds?' Appropriating Jihadi Audiovisualities
- Part D ANASHID: SOUNDSCAPES OF RELIGIO-POLITICAL EXPERIENCE
- 10 'Nashid' between Islamic Chanting and Jihadi Hymns: Continuities and Transformations
- 11 Anashid at the Crossroads between the Organisational and the Private
- 12 Contested Chants: The Nashid Salil al-Sawarim and its Appropriations
- INDEX