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|a UAMI
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|a Jihadi Audiovisuality and Its Entanglements :
|b Meanings, Aesthetics, Appropriations /
|c edited by Christoph Günther and Simone Pfeifer.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2020]
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|a 1 online resource
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|a text
|b txt
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|a computer
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|a Online resource; title from digital title page (viewed on March 26, 2021).
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|a JIHADI AUDIOVISUALITY AND ITS ENTANGLEMENTS -- Copyright -- Contents -- Figures -- Notes on Contributors -- Acknowledgements -- Introduction -- Jihadi Audiovisuality and Its Entanglements: A Conceptual Framework -- Part A ETHICAL CHALLENGES OF EMPIRICALLY GROUNDED RESEARCH ON JIHADISM -- 1 On Speaking, Remaining Silent and Being Heard: Framing Research, Positionality and Publics in the Jihadi Field -- 2 Designing Research on Radicalisation using Social Media Content: Data Protection Regulations as Challenges and Opportunities -- 3 Ethics in Gender Online Research: A Facebook Case Study
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|a Part B VISUALISING JIHADI IDEOLOGY AND ACTION -- 4 Appropriation in Islamic State Propaganda: A Theoretical and Analytical Framework of Types and Dimensions -- 5 Visual Performativity of Violence: Power and Retaliatory Humiliation in Islamic State (IS) Beheading Videos -- 6 From the Darkness into the Light: Narratives of Conversion in Jihadi Videos -- Part C APPROPRIATING AND CONTESTING JIHADI AUDIOVISUALITY -- 7 Artivism, Politics and Islam -- An Empirical-Theoretical Approach to Artistic Strategies and Aesthetic Counter-Narratives
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|a 8 Re-enacting Violence: Contesting Public Spheres with Appropriations of IS Execution Videos -- 9 'You're against Dawla, but you're Listening to their Nasheeds?' Appropriating Jihadi Audiovisualities -- Part D ANASHID: SOUNDSCAPES OF RELIGIO-POLITICAL EXPERIENCE -- 10 'Nashid' between Islamic Chanting and Jihadi Hymns: Continuities and Transformations -- 11 Anashid at the Crossroads between the Organisational and the Private -- 12 Contested Chants: The Nashid Salil al-Sawarim and its Appropriations -- INDEX
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|a Explores the use of images, sounds and videos in Jihadi media and how people engage with them.
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|a Legal Deposit;
|c Only available on premises controlled by the deposit library and to one user at any one time;
|e The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
|5 WlAbNL
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|a Includes bibliographical references and index.
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Open Access
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650 |
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|a Internet and terrorism.
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|a Internet et terrorisme.
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|a Biography & Autobiography.
|2 bisacsh
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|a Internet and terrorism.
|2 fast
|0 (OCoLC)fst01746230
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|a ART / Art & Politics
|2 bisacsh
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|a Biography
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|a Biographies.
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|0 (OCoLC)fst01919896
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|a Biographies.
|2 lcgft
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|a Biographies.
|2 rvmgf
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1 |
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|a Günther, Christoph
|c (Middle East specialist),
|e editor.
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700 |
1 |
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|a Pfeifer, Simone,
|e editor.
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776 |
0 |
8 |
|i Print version:
|z 1474467512
|z 9781474467513
|w (OCoLC)1136969614
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv1hm8h96
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