Cargando…
Cinema against spectacle : technique and ideology revisited /
Jean-Louis Comolli's six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spect...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2015]
|
| Colección: | Film theory in media history.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOROA_on1224044079 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 201117s2015 ne ob 001 0 eng | ||
| 010 | |a 2020426458 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d DLC |d OCLCF |d OCLCQ |d FWR |d OCLCO |d JSTOR |d N$T |d NLAUP |d UEJ |d SFB |d SMC |d OCLCO | ||
| 019 | |a 1295886873 |a 1295975709 |a 1303511164 |a 1328614558 |a 1374858147 |a 1385458309 |a 1390928664 |a 1395672442 |a 1397406774 | ||
| 020 | |a 9048519454 | ||
| 020 | |a 9789048519453 |q (electronic bk.) | ||
| 020 | |z 9789089645548 |q (pbk) | ||
| 035 | |a (OCoLC)1224044079 |z (OCoLC)1295886873 |z (OCoLC)1295975709 |z (OCoLC)1303511164 |z (OCoLC)1328614558 |z (OCoLC)1374858147 |z (OCoLC)1385458309 |z (OCoLC)1390928664 |z (OCoLC)1395672442 |z (OCoLC)1397406774 | ||
| 037 | |a 22573/ctv2z6c083 |b JSTOR | ||
| 041 | 1 | |a eng |h fre | |
| 042 | |a pcc | ||
| 050 | 0 | 0 | |a PN1995 |
| 072 | 7 | |a PER |x 000000 |2 bisacsh | |
| 072 | 7 | |a PER |x 004030 |2 bisacsh | |
| 072 | 7 | |a ART |x 057000 |2 bisacsh | |
| 082 | 0 | 0 | |a 791.4301 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Comolli, Jean-Louis, |e author. | |
| 240 | 0 | 0 | |a Cinéma contre spectacle. |l English |
| 245 | 1 | 0 | |a Cinema against spectacle : |b technique and ideology revisited / |c by Jean-Louis Comolli ; translated and edited by Daniel Fairfax. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2015] | |
| 300 | |a 1 online resource (345 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |2 rda | ||
| 490 | 1 | |a Open Access e-Books | |
| 490 | 1 | |a Knowledge Unlatched | |
| 490 | 1 | |a Film theory in media history | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cinema against Spectacle -- Introduction -- Cinema against Spectacle -- I. Opening the Window? -- II. Inventing the Cinema? -- III. Filming the Disaster? -- IV. Cutting the Figure? -- V. Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- Introduction -- I. On a Dual Origin -- The ideological place of the "base apparatus" -- Birth = deferral: The invention of the cinema -- II. Depth of Field: The Double Scene -- Bazin's "surplus realism" -- The work of "transparency" -- For a materialist history of the cinema -- "For the first time ..." -- III."Primitive" Depth of Field -- IV. Effacement of Depth/Advent of Speech -- V. Which Speech? | |
| 588 | |a Description based on online resource; title from PDF title page (viewed on 11/17/2020). | ||
| 520 | |a Jean-Louis Comolli's six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli's activity as both a theorist and a filmmaker. | ||
| 546 | |a Translation from the French of Cinéma, contre spectacle. | ||
| 506 | 0 | |a Open Access |5 EbpS | |
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS / General |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 653 | |a Film Theory, Ideology, Cinema and Politics, Film History, Cahiers du cinéma. | ||
| 655 | 4 | |b Electronic books. | |
| 700 | 1 | |a Fairfax, Daniel, |e translator. | |
| 773 | 0 | |t Books at JSTOR: Open Access |d JSTOR | |
| 773 | 0 | |t OAPEN (Open Access Publishing in European Networks) |d OAPEN | |
| 776 | 0 | 8 | |i Print version: |a Comolli, Jean-Louis. |t Cinema against spectacle : technique and ideology revisited / by Jean-Louis Comolli ; translated and edited by Daniel Fairfax. |d Amsterdam : Amsterdam University Press, [2015] |z 9789089645548 |
| 830 | 0 | |a Film theory in media history. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2z6qfdx |z Texto completo |
| 938 | |a Amsterdam University Press |b AUPA |n 9789048519453 | ||
| 938 | |a EBSCOhost |b EBSC |n 1135469 | ||
| 994 | |a 92 |b IZTAP | ||