Sergei M. Eisenstein : notes for a general history of cinema /

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One of the iconic figures of the twentieth-century cinema, Sergei Eisenstein is best known as the director of The Battleship Potemkin, Alexander Nevskii and Ivan the Terrible. His craft as director and film editor left a distinct mark on such key figures of the Western cinema as Nicolas Roeg, Franci...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Eisenstein, Sergei, 1898-1948 (Author)
Other Authors: Kleĭman, N. I. (Naum I.) (Editor), Somaini, Antonio (Editor), Rosen, Margo Shohl (Translator), Coxe, Brinton Tench (Translator), Ryabchikova, Natalie (Translator)
Format: Software eBook
Language:Inglés
Published: Amsterdam : Amsterdam University Press, [2016]
Series:Film theory in media history.
Subjects:
Eisenstein, Sergei, > 1898-1948 > Criticism and interpretation.
Eisenstein, Sergei, > 1898-1948
Motion pictures > History.
Cinéma > Histoire.
ART / General
Motion pictures
Criticism, interpretation, etc.
History
Online Access:Texto completo
Table of Contents:
  • Foreword / Naum Kleiman
  • Cinema as "dynamic mummification," history as montage : Einstein's media archaeology / Antonio Somaini
  • Notes for a general history of cinema / Sergei M. Eisenstein
  • What renders Daumier's art so cinematic for Eisenstein? / Ada Ackerman
  • "The heritage we renounce" : Eisenstein in historio-graphy / François Albera
  • The Notes for a general history of cinema and the dialectic of the Eistensteinian image / Luka Arsenjuk
  • Act now!, or For an untimely Eistenstein / Nico Baumbach
  • Pathos and praxis (Eisenstein versus Barthes) / Georges Didi-Huberman
  • Eisenstein's absolutely wonderful, totally impossible project / Jane Gaines
  • Dynamic typicality / Abe Geil
  • Archaeology vs. paleontology : a note on Eisenstein's Notes for a general history of cinema / Vinzenz Hediger
  • Point
  • pathos
  • totality / Mikhail Iampolski
  • Distant echoes / Arun Khopkar
  • "Synthesis" of the arts or "friendly cooperation" between the arts? : the general history of cinema according to Eistenstein / Pietro Montani
  • Eisenstein's mummy complex : temporality, trauma, and a distinction in Eisenstein's Notes for a general history of cinema / Philip Rosen
  • Sergei Eisenstein and the Soviet models for the study of cinema, 1920s-1940s / Masha Salazkina and Natalie Ryabchikova.

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