Cargando…
Framing French culture /
Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or m...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Adelaide, South Australia :
The University of Adelaide, University of Adelaide Press,
[2015]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOROA_on1125871340 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 200402s2015 xra ob s000 0 eng | ||
| 010 | |a 2019462939 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCF |d SFB |d OCLCO |d ORU |d VT2 |d YDXCP |d XFH |d JSTOR |d LOA |d SOI |d VFL |d LND |d WY@ |d U3W |d MERER |d OAPEN |d CEF |d VTS |d AU@ |d ERL |d WYU |d ICN |d LVT |d BRX |d TXR |d CNTRU |d NJT |d RRP |d MAC |d DIPCC |d UKKNU |d BRF |d HS0 |d UWK |d SXB |d OCL |d OCLCO |d OCLCQ |d K6U |d OCLCQ |d DLC |d OCLCO |d OCLCQ |d OCLCO | ||
| 019 | |a 905956036 |a 938999800 |a 945783030 |a 994401448 |a 1014404096 |a 1014442225 |a 1014476790 |a 1014482297 |a 1076646638 |a 1139865180 |a 1159393942 |a 1162542212 |a 1164871299 |a 1166156055 |a 1166240333 |a 1170016923 |a 1172099751 |a 1173654700 | ||
| 020 | |a 9781922064875 |q (ebook ; |q pdf) | ||
| 020 | |a 1922064874 | ||
| 020 | |a 9781922064882 |q (ebook ; |q epub) | ||
| 020 | |a 1922064882 | ||
| 020 | |a 9781922064899 |q (ebook ; |q kindle) | ||
| 020 | |a 1922064890 | ||
| 020 | |z 9781922064868 |q (paperback) | ||
| 020 | |z 1922064866 |q (pbk.) | ||
| 024 | 7 | |a 10.20851/framing-french |2 doi | |
| 024 | 8 | |a https://doi.org/10.20851/framing-french | |
| 024 | 8 | |a 577016 | |
| 029 | 1 | |a AU@ |b 000057044416 | |
| 029 | 1 | |a AU@ |b 000060635072 | |
| 029 | 1 | |a AU@ |b 000066533548 | |
| 029 | 1 | |a GBVCP |b 1008666521 | |
| 029 | 1 | |a GBVCP |b 865769451 | |
| 029 | 1 | |a GBVCP |b 869963929 | |
| 035 | |a (OCoLC)1125871340 |z (OCoLC)905956036 |z (OCoLC)938999800 |z (OCoLC)945783030 |z (OCoLC)994401448 |z (OCoLC)1014404096 |z (OCoLC)1014442225 |z (OCoLC)1014476790 |z (OCoLC)1014482297 |z (OCoLC)1076646638 |z (OCoLC)1139865180 |z (OCoLC)1159393942 |z (OCoLC)1162542212 |z (OCoLC)1164871299 |z (OCoLC)1166156055 |z (OCoLC)1166240333 |z (OCoLC)1170016923 |z (OCoLC)1172099751 |z (OCoLC)1173654700 | ||
| 037 | |a 22573/ctt1sxfjxp |b JSTOR | ||
| 042 | |a pcc | ||
| 043 | |a e-fr--- | ||
| 050 | 0 | 0 | |a N72.S6 |
| 072 | 7 | |a ART009000 |2 bisacsh | |
| 072 | 7 | |a LIT004150 |2 bisacsh | |
| 072 | 7 | |a APF |2 bicssc | |
| 072 | 7 | |a DSA |2 bicssc | |
| 072 | 7 | |a JFCA |2 bicssc | |
| 082 | 0 | 4 | |a 840.93244 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Framing French culture / |c edited by Natalie Edwards, Ben McCann, and Peter Poiana. |
| 264 | 1 | |a Adelaide, South Australia : |b The University of Adelaide, University of Adelaide Press, |c [2015] | |
| 300 | |a 1 online resource (vi, 290 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a The doubling of the frame -- visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana, The University of Adelaide -- Colonial vision : French voyager-artists, Aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck, The University of Adelaide -- An artist in the making : The early drawings of Charles-Alexandre Lesueur during the Baudin expedition to Australia / John West-Sooby, The University of Adelaide -- Framing New Holland or framing a narrative? : A representation of Sydney according to Charles-Alexandre Lesueur / Jean Fornasiero, The University of Adelaide -- The Artwork of the Baudin expedition to Australia (1800-1804) : Nicolas-Martin Petit's 1802 portrait of an Aboriginal woman and child from Van Diemen's Land / Jane Southwood, University of New England -- Framing the Eiffel Tower : From postcards to Postmodernism / Sonya Stephens, Mount Holyoke University -- The return of Trauner : Late style in 1970s and 1980s French film design / Ben McCann, The University of Adelaide -- Annie Ernaux's phototextual archives : Ecrire la vie / Natalie Edwards, The University of Adelaide -- The image of self-effacement : The revendication of the autonomous author in Marie NDiaye's Autoportrait en vert / Christopher Hogarth, University of South Australia -- Accumulating Algeria : Recurrent images in Pied-Noir visual works / Amy L. Hubbell, University of Queensland -- Georges Bataille's Manet and the "strange impression of an absence" / Caroline Sheaffer-Jones, University of New South Wales -- Entropy and osmosis in conceptualisations of the Surrealist frame / Klem James, University of Wollongong -- Art and origin : Bataille and Blanchot's return to Lascaux / Peter Poiana, The University of Adelaide. | |
| 588 | 0 | |a Online resource; title from PDF title page (University of Adelaide Press website; viewed on 2020-04-02). | |
| 546 | |a English. | ||
| 520 | |a Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned. | ||
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Art and popular culture |z France. | |
| 650 | 0 | |a Art |x Themes, motives. | |
| 650 | 0 | |a Frames (Sociology) |z France. | |
| 650 | 6 | |a Art et culture populaire |z France. | |
| 650 | 6 | |a Art |x Thèmes, motifs. | |
| 650 | 6 | |a Cadres (Sociologie) |z France. | |
| 650 | 7 | |a theme. |2 aat | |
| 650 | 7 | |a Cultural studies. |2 bicssc | |
| 650 | 7 | |a Film, TV and radio. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a Literary theory. |2 bicssc | |
| 650 | 7 | |a Literature and literary studies. |2 bicssc | |
| 650 | 7 | |a Literature: history and criticism. |2 bicssc | |
| 650 | 7 | |a Popular culture. |2 bicssc | |
| 650 | 7 | |a Society and culture: general. |2 bicssc | |
| 650 | 7 | |a Society and social sciences Society and social sciences. |2 bicssc | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a Art |x Criticism & Theory. |2 bisacsh | |
| 650 | 7 | |a Literary Criticism |x European |x French. |2 bisacsh | |
| 650 | 7 | |a Frames (Sociology) |2 fast | |
| 650 | 7 | |a Art |x Themes, motives |2 fast | |
| 650 | 7 | |a Art and popular culture |2 fast | |
| 650 | 7 | |a Literature |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a France |2 fast | |
| 653 | |a french culture | ||
| 653 | |a french literature | ||
| 653 | |a french photography | ||
| 653 | |a colonial vision | ||
| 653 | |a french voyager-artists | ||
| 653 | |a aboriginal subjects and the british colony at port jackson | ||
| 653 | |a nicole starbuck | ||
| 653 | |a an artist in the making: the early drawings of charles-alexandre lesueur during the baudin expedition to australia | ||
| 653 | |a john west-sooby | ||
| 653 | |a framing new holland or framing a narrative? a representation of sydney according to charles-alexandre lesueur | ||
| 653 | |a jean fornasiero | ||
| 653 | |a the artwork of the baudin expedition to australia (1800-1804): nicolas-martin petit's 1802 portrait of an aboriginal woman and child from van diemen's land, | ||
| 653 | |a jane southwood | ||
| 653 | |a framing the eiffel tower: from postcards to postmodernism | ||
| 653 | |a sonya stephens | ||
| 653 | |a the return of trauner: late style in 1970s and 1980s french film design | ||
| 653 | |a ben mccann | ||
| 653 | |a annie ernaux's phototextual archives: ecrire la vie | ||
| 655 | 7 | |a Art |2 fast | |
| 700 | 1 | |a Edwards, Natalie, |e editor. | |
| 776 | 0 | |z 1922064866 | |
| 776 | 0 | |z 1922064874 | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.20851/j.ctt1t304z1 |z Texto completo |
| 938 | |a Knowledge Unlatched |b KNOW |n 99e981ef-32b6-4e2b-830c-e61b7816fc0d | ||
| 938 | |a OAPEN Foundation |b OPEN |n 577016 | ||
| 938 | |a DCS UAT TEST 8 |b TEST |n 577016 | ||
| 938 | |a YBP Library Services |b YANK |n 12358978 | ||
| 938 | |a YBP Library Services |b YANK |n 12843807 | ||
| 994 | |a 92 |b IZTAP | ||