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Andrea del Sarto : splendor and renewal in the Renaissance altarpiece /

"Over the course of his career, Andrea del Sarto (1486-1530) created altarpieces rich in theological complexity, elegant in formal execution, and dazzlingly brilliant in chromatic impact. This book investigates the spiritual dimensions of those works, focusing on six highly-significant panels....

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Cody, Steven J. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, [2020]
Colección:Brill's studies in intellectual history ; v. 314.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 47.
Temas:
Acceso en línea:Texto completo

MARC

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240 1 0 |a Andrea del Sarto (1486-1530) and the art of reform 
245 1 0 |a Andrea del Sarto :  |b splendor and renewal in the Renaissance altarpiece /  |c by Steven J. Cody. 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (xv, 290 pages) :  |b color illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Brill's studies in intellectual history,  |x 0920-8607 ;  |v volume 314 
490 1 |a Brill's studies on art, art history, and intellectual history ;  |v volume 47 
500 |a Revision of the author's thesis (doctoral)--University of Maryland, 2015, under the title: Andrea del Sarto (1486-1530) and the art of reform. 
504 |a Includes bibliographical references and index. 
505 0 |a Sight and Touch in the Noli me tangere -- The Sweetness of the San Gallo Annunciation -- Light from the Light of the Madonna of the Harpies -- Sight and Sighs in the Disputation on the Trinity -- The Splendor of the Luco Pietà -- Light from the Shadows in the Gambassi Altarpiece. 
520 |a "Over the course of his career, Andrea del Sarto (1486-1530) created altarpieces rich in theological complexity, elegant in formal execution, and dazzlingly brilliant in chromatic impact. This book investigates the spiritual dimensions of those works, focusing on six highly-significant panels. According to Steven J. Cody, the beauty and splendor of Andrea's paintings speak to a profound engagement with Christian theories of spiritual renewal-an engagement that only intensified as Andrea matured into one of the most admired artists of his time. From this perspective, Andrea del Sarto - Splendor and Renewal in the Renaissance Altarpiece not only shines new light on a painter who has long deserved more scholarly attention; it also offers up fresh insights regarding the Renaissance altarpiece itself"--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on October 14, 2020). 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
600 1 0 |a Sarto, Andrea del,  |d 1486-1530  |x Criticism and interpretation. 
600 1 7 |a Sarto, Andrea del,  |d 1486-1530  |2 fast  |0 (OCoLC)fst00089007 
650 0 |a Altarpieces, Renaissance  |z Italy  |y 16th century. 
650 0 |a Altarpieces, Italian  |y 16th century. 
650 0 |a Christian art and symbolism  |z Italy  |y Renaissance, 1450- 
650 6 |a Retables italiens  |y 16e siècle. 
650 7 |a Altarpieces, Italian  |2 fast  |0 (OCoLC)fst00806072 
650 7 |a Altarpieces, Renaissance  |2 fast  |0 (OCoLC)fst00806082 
650 7 |a Christian art and symbolism  |2 fast  |0 (OCoLC)fst00858904 
651 7 |a Italy  |2 fast  |0 (OCoLC)fst01204565 
648 7 |a Since 1450  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Cody, Steven J.  |s Andrea del Sarto (1486-1530) and the art of reform.  |t Andrea del Sarto--splendor and renewal in the Renaissance altarpiece.  |d Leiden ; Boston : Brill, [2020]  |z 9789004430150  |w (DLC) 2020023514  |w (OCoLC)1157349240 
830 0 |a Brill's studies in intellectual history ;  |v v. 314. 
830 0 |a Brill's studies in intellectual history.  |p Brill's studies on art, art history, and intellectual history ;  |v v. 47. 
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