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Steinformen : Materialität, Qualität, Imitation /

"The natural genesis of stone is particularly suitable as a production paradigm of mimicking art; examples are rock and coral formations, or the veins in marble, that are an expression of the forces of natural creation. Art materials bridge the chasm between idea and execution and impact on the...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Augart, Isabella (Editor ), Sass, Maurice (Editor ), Wenderholm, Iris (Editor )
Formato: Electrónico eBook
Idioma:Alemán
Inglés
Publicado: Berlin ; Boston : De Gruyter, [2019]
Colección:Naturbilder (Walter de Gruyter & Co.) ; Bd. 8.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Steinformen :  |b Materialität, Qualität, Imitation /  |c herausgegeben von Isabella Augart, Maurice Sass und Iris Wenderholm. 
264 1 |a Berlin ;  |a Boston :  |b De Gruyter,  |c [2019] 
264 4 |c ©2019 
300 |a 1 online resource :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Naturbilder =  |a Images of nature,  |x 2367-1955 ;  |v Band 8 
588 0 |a Print version record. 
546 |a 9 German, 9 English contributions; foreword in German; abstracts in English. 
500 |a Papers originally presented at a conference held at Warburg-Haus, Hamburg, Germany, January 2016. 
504 |a Includes bibliographical references and index. 
520 8 |a "The natural genesis of stone is particularly suitable as a production paradigm of mimicking art; examples are rock and coral formations, or the veins in marble, that are an expression of the forces of natural creation. Art materials bridge the chasm between idea and execution and impact on the working process; shaping the material reveals levels of meaning in the piece and, likewise, the specific form of the material offers opportunities for generating meaning. Imitating natural materials is much more than a replacement of the material or a demonstration of one's own artistic skills. The contributions in this book take a close look at the imitation of natural stone as artistic potential to express the interplay between natural and artificial material qualities"--Publisher's website 
505 0 0 |t Steinformen : Stein formen /  |r Isabella Augart, Maurice Sass, Iris Wenderholm --  |t Materialität --  |t Ornatus lapidum : Steine auf frühmittelalterlichen Büchern /  |r David Ganz --  |t Luoghi aspri : Stone and Solitude in Trecento Painting /  |r Isabella Augart --  |t Christʼs Side-Wound and Francis' Stigmatization at La-Verna : Reflections on the Rock of Golgotha /  |r Yamit Rachman-Schrire --  |t Stonework and Crack in Giovanni Belliniʼs St. Francis in the Wilderness /  |r David Young Kim --  |t A Stone Through the Window of Art History : Paintings on Stone and the Legacy of Pictorial Illusionism /  |r Christopher J. Nygren --  |t Farbtafeln --  |t Dressed in Marble : Stoffwechsel and Ephemerality in Baroque Naples : the High Altar of San Domenico Maggiore /  |r Joris van Gastel --  |t Qualität --  |t Bunte Steine : zur Rolle der Farbe in mittelalterlichen und frühneuzeitlichen Lapidarien /  |r Karin Leonhard --  |t Matter of Life and Death? : The "Living Stones" and Medieval Gospel Books /  |r Ilka Mestemacher --  |t Albertus Magnus und die Steine von Venedig : ein Beitrag zur "Bildwissenschaft" des 13. Jahrhunderts /  |r Philippe Cordez --  |t The Art of Glassmaking and the Nature of Stones : the Role of Imitation in Anselm De Boodtʼs Classification of Stones /  |r Sven Dupré --  |t Politik der Steine : zur Materialsemantik der Pietra dura-Tischplatten /  |r Iris Wenderholm --  |t Adern im Stein und Adern im Bein : vom Material zur Skulptur /  |r Monika Wagner --  |t Imitation --  |t Making a New Stone? : the Magical Powers of Carved Stones from Albert the Great to Camillo Leonardi /  |r Nicolas Weill-Parot --  |t Versteinertes Blut : Heilig-Blut-Säulen in der flämischen Malerei um 1500 /  |r Julia Kölle --  |t Cangiante Fabrics, Marble Cloths, and the Textility of Stone : Transmaterial Aesthetics in Ambrogio Lorenzettiʼs Presentation at the Temple and 13th- and 14th-century Tuscan Painting /  |r Vera-Simone Schulz --  |t Annunziation und Petrifikation in der Malerei des Quattrocento /  |r Markus Rath --  |t Als die Trauben des Zeuxis gegessen waren ... : Figuren der Kunsttheorie auf steinernen Oberflächen der Malerei /  |r Robert Felfe --  |t "Meester snijt die keye ras" : Steinschneiden an Leib und Geist /  |r Maurice Sass --  |g Abstracts --  |g Stein-Register --  |g Bildnachweise. 
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650 0 |a Stone in art  |v Congresses. 
650 0 |a Imitation in art  |v Congresses. 
650 0 |a Nature in art  |v Congresses. 
650 6 |a Pierre dans l'art  |v Congrès. 
650 6 |a Imitation (Art)  |v Congrès. 
650 6 |a Nature dans l'art  |v Congrès. 
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700 1 |a Augart, Isabella,  |e editor. 
700 1 |a Sass, Maurice,  |e editor. 
700 1 |a Wenderholm, Iris,  |e editor. 
710 2 |a Warburg-Haus (Hamburg, Germany),  |e host institution. 
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