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|a Theatre History Studies.
|n 2018 Vol. 37 /
|c edited by Sara Freeman.
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|a [Place of publication not identified] :
|b Published by the Mid-America Theatre Conference and University Alabama Press,
|c [2018]
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|a 1 online resource
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|a Includes bibliographical references.
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|a Online resource; title from PDF title page (EBSCO, Febrary 6, 2019).
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|a Intro; CONTENTS; List of Illustrations; Introduction / SARA FREEMAN; PART I. STUDIES IN THEATRE HISTORY; Meyerhold and the Revolution: A Reading through Henri Lefebvre's Theories on ""Everyday Life"" / STEFAN AQUILINA; Shuffled Together under the Name of a Farce"": Finding Nature in Aphra Behn's The Emperor of the Moon / VIVIAN APPLER; Kate Soffel's Life of Crime: A Gendered Journey from Warden's Wife to Criminal Actress / KRISTI GOOD; Staging Ajax's Suicide: A Historiography / PETER A. CAMPBELL; PART II. ROUSING EXPERIENCES: THEATRE, POLITICS, AND CHANGE
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|a Introduction to the Special Section / BRIAN E.G. COOKUntil You See the Whites of Their Eyes: Brett Bailey's Exhibit B and the Consequences of Staging the Colonial Gaze / MEGAN LEWIS; Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini's Italy / PATRICIA GABORIK; To Image and to Imagine: Walid Raad, Rabih Mroué, and the Arab Spring / ILINCA TODORUT AND ANTHONY SORGE; Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today / SHULAMITH LEV-ALADGEM
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|a Equal Rights by All Means!"": Beatrice Forbes-Robertson's 1910 Suffrage Matinee and the Onstage Junction of the US and UK Franchise Movements / CHRISTINE WOODWORTHWhy I Wrote the Phyllis Wheatley Pageant-Play"": Mary Church Terrell's Bicentennial Activism / LURANA DONNELS O'MALLEY; The Lasting Theatre of Dario Fo and Franca Rame / JULIET GUZZETTA; Chavez Ravine: Culture Clash and the Political Project of Rewriting History / ASHLEY E. LUCAS; PART III. ESSAY FROM THE CONFERENCE
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|a The Robert A. Schanke Award-Winning Essay The Heavy Lifting: Resisting the Obama Presidency's Neoliberalist Conceptions of the American Dream in Kristoffer Diaz's The Elaborate Entrance of Chad Deity / NOE MONTEZPART IV. BOOK REVIEWS; Jonah Salz, A History of Japanese Theatre / REVIEWED BY PETER A. CAMPBELL; Fiona Coleman Coffey, Political Acts: Women in Northern Irish Theatre, 1921-2012 / REVIEWED BY PENELOPE COLE; Jeffrey Sweet, What Playwrights Talk About When They Talk About Writing / REVIEWED BY MATT FOTIS
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|a Stefan Aquilina and Jonathan Pitches, eds., Stanislavsky in the World:The System and Its Transformations across Continents / REVIEWED BY MAYHILL FOWLERNancy Yunhwa Rao, Chinatown Opera Theater in North America / REVIEWED BY ANDREW GIBB; Paul Ibell, Tennessee Williams / REVIEWED BY JEFF GRACE; Cheryl Black and Jonathan Shandell, eds., Experiments in Democracy: Interracial and Cross-Cultural Exchange in American Theatre, 1912-1945 / REVIEWED BY BECK HOLDEN; Sharon Ammen, May Irwin: Singing, Shouting, and the Shadow of Minstrelsy / REVIEWED BY RHONA JUSTICE-MALLOY
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Drama
|x History and criticism.
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|a Theater
|x History.
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|a Théâtre (Genre littéraire)
|x Histoire et critique.
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|a Théâtre
|x Histoire.
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|a PERFORMING ARTS
|x Theater
|x General.
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|a Drama.
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|a Criticism, interpretation, etc.
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|a Freeman, Sara,
|d 1973-
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|i Print version:
|t Theatre History Studies. 2018 Vol. 37.
|d [Place of publication not identified] : Published by the Mid-America Theatre Conference and University Alabama Press, [2018]
|z 0817371125
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