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Affectual erasure : representations of indigenous peoples in Argentine cinema /
Comprehensive examination of how Indigenous peoples have been represented in Argentine film. Affectual Erasure examines how Argentine cinema has represented Indigenous peoples throughout a period spanning roughly a century. Cynthia Margarita Tompkins interrelates her discussion of films with the eth...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Albany :
State University of New York Press,
[2018]
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| Colección: | SUNY series in Latin American cinema.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Melodrama and avant-la-lettre documentary in Alcides Greca's El último malón (the last "Indian" raid, 1917)
- Kitsch and exoticism in Nelo Cosimi's La quena de la muerte (Death kena, 1929)
- Femme fatale in Luis Belisario García Villar's Frontera sur (Southern border,1943)
- Betrayal and insanity in Lucas Demare's El último perro (The last one standing, 1956)
- The shifting meanings of translation in Lautaro Murúa's Shunko (1960)
- Transculturation in Jorge Prelorán's Hermógenes cayo (1967)
- Fatal kindness in Raúl Tosso's Gerónima (1986)
- Bewitched mirror images in Edgardo Cozarinsky's Guerreros y cautivas (Warriors and captives, 1989)
- The power of the word in Philip Cox and Valeria Mapelman Mbyá: Tierra en rojo (We are the Indians, 2005)
- State terrorism in Valeria Mapelman's Octubre pilagá (Pilaga October, 2010)
- Life as a specimen: Alejandro Fernández Mouján's Damiana kryygi (2015)
- Clashing ideologies, denunciation, and reparation in Ulise de la Orden's Tierra adentro (inland, 2011)
- Silence and isolation in Mathieu Orcel's Para los pobres piedras (Stones for the poor, 2013)
- Immersion and metamorphosis in Inés de Oliveira Cézar Cassandra (2012)
- The power of constelations in Sebastián Lingiardi's Las pistas-Lanhoyij-Nmitaxanaxac (Clues-Lanhoyij- Nmitaxanaxac, 2010).