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The valley of the fallen /

Acclaimed translator Edith Grossman brings to English-language readers Rojas's imaginative vision of Francisco de Goya and the reverberations of his art in Fascist Spain This historical novel by one of Spain's most celebrated authors weaves a tale of disparate time periods: the early years...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rojas, Carlos, 1928-2020 (Autor)
Otros Autores: Grossman, Edith, 1936-2023 (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Español
Publicado: New Haven : Yale University Press, [2018]
Colección:Margellos world republic of letters book.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover; Half Title; Title; Copyright; Dedication; CONTENTS; The Absurdities; The Dream of Reason; The Family of Carlos IV; The Monsters; The Prince of Peace; The Disasters of War; The Dream of Reason; May 3, 1808, in Madrid; The Monsters; The Duchess of Alba; Tauromachy; The Dream of Reason; Wild Bull; The Monsters; Pepe-Hillo; The Caprices; The Dream of Reason; Blind Manâ#x80;#x99;s Bluff; The Monsters; The Duchess of Osuna; Furious Absurdity; The Dream of Reason; A Quarrel with Cudgels; The Monsters; The Desired One; Timeline. 
520 |a Acclaimed translator Edith Grossman brings to English-language readers Rojas's imaginative vision of Francisco de Goya and the reverberations of his art in Fascist Spain This historical novel by one of Spain's most celebrated authors weaves a tale of disparate time periods: the early years of the nineteenth century, when Francisco de Goya was at the height of his artistic career, and the final years of Generalissimo Franco's Fascist rule in the 1970s. Rojas re-creates the nineteenth-century corridors of power and portrays the relationship between Goya and King Fernando VII, a despot bent on establishing a cruel regime after Spain's War of Independence. Goya obliges the king's request for a portrait, but his depiction not only fails to flatter but reflects a terrible darkness and grotesqueness. More than a century later, transcending conventional time, Goya observes Franco's body lying in state and experiences again a dark and monstrous despair. Rojas's work is a dazzling tour de force, a unique combination of narrative invention and art historical expertise that only he could have brought to the page. 
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