Cargando…
Representing sound : notes on the ontology of recorded musical communications /
Representing Sound elucidates the base technical ontology, the machine essence, of every recorded musical communication. In so doing, it suggests the broad contours of an unprecedented theoretical basis for considering recording practice that posits no fundamental relationship between it and live pe...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Waterloo, Ontario :
Wilfrid Laurier University Press,
[2014]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn964337106 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||a|| | ||
| 008 | 140929t20162014onca ob 000 0 eng d | ||
| 040 | |a CELBN |b eng |e rda |e pn |c CELBN |d OCLCO |d N$T |d OCLCQ |d OCLCF |d AGLDB |d G3B |d IGB |d UKAHL |d OCLCO |d OCLCQ | ||
| 020 | |a 1554589703 |q (electronic bk.) | ||
| 020 | |a 9781554589708 |q (electronic bk.) | ||
| 020 | |z 155458969X |q (PDF) | ||
| 020 | |z 9781554589692 |q (PDF) | ||
| 020 | |z 9781306827904 |q (epub) | ||
| 035 | |a (OCoLC)964337106 | ||
| 050 | 4 | |a ML3800 |b .H692 2014eb | |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 082 | 0 | 4 | |a 781.4901 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Hodgson, Jay, |e author. | |
| 245 | 1 | 0 | |a Representing sound : |b notes on the ontology of recorded musical communications / |c Jay Hodgson with Steve MacLeod. |
| 246 | 3 | 0 | |a Notes on the ontology of recorded musical communications |
| 264 | 1 | |a Waterloo, Ontario : |b Wilfrid Laurier University Press, |c [2014] | |
| 264 | 2 | |a Ottawa, Ontario : |b Canadian Electronic Library, |c 2016. | |
| 300 | |a 1 online resource (various pagings) : |b color illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a electronic |2 isbdmedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Introduction -- 1. Sculptures -- 2. Acoustic Iconography -- 3. Psychoacoustic Profiles -- 4. Psychoacoustic Encoding -- 5. Transduction -- 6. The Cybernetic -- 7. Conceptual Infrastructure -- 8. Interpellation: Conjuring Tricks -- 9. Tracking, i) Performance as Programming -- 10. Tracking, ii) Programming as Performance -- 11. Tracking, iii) Lateral Dynamics Processing -- 12. A Brief Conclusion. | |
| 520 | |a Representing Sound elucidates the base technical ontology, the machine essence, of every recorded musical communication. In so doing, it suggests the broad contours of an unprecedented theoretical basis for considering recording practice that posits no fundamental relationship between it and live performance. Representing Sound thus complicates common conceptions of sound to include different ontological states. This seemingly simple notion--that the acoustic phenomena we encounter in concert are, by nature, different from those we encounter when we listen to records--should have profound consequences for the way everyone, from musicologists to rock stars, considers recording practice. In the tradition of books like Marshall McLuhan's and Quentin Fiore's The Medium Is The Massage (1968), Representing Sound sets its text within more than one hundred original visual artworks, each designed to reinforce the essay's broader creative resonances. This allows readers to approach the larger ontological argument either atomistically (i.e., on a frame-by-frame basis) or holistically, depending on their creative or analytic needs. In this way, Representing Sound provides a possible model for creative scholarly work in the impending post-book era. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Sound |x Recording and reproducing |x Psychological aspects. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 6 | |a Son |x Enregistrement et reproduction |x Aspect psychologique. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01030408 | |
| 700 | 1 | |a MacLeod, Steve, |e author. | |
| 776 | 0 | 8 | |i Print version: |z 155458969X |z 9781554589692 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1433327 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH26966653 | ||
| 938 | |a Canadian Electronic Library |b CELB |n 449688 | ||
| 938 | |a EBSCOhost |b EBSC |n 1433327 | ||
| 994 | |a 92 |b IZTAP | ||