Original copies in Georges Perec and Andy Warhol /

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Priya Wadhera's Original Copies in Georges Perec and Andy Warhol is the first book to explore striking similarities between the works of these celebrated figures of the twentieth century. Copies abound in Perec's œuvre, where pastiches, paintings, and intertexts dialogue with the history o...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wadhera, Priya (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Leiden ; Boston : Brill, [2017]
Colección:Faux titre ; no. 413.
Temas:
Perec, Georges, > 1936-1982 > Criticism and interpretation.
Warhol, Andy, > 1928-1987 > Criticism and interpretation.
Perec, Georges, > 1936-1982
Warhol, Andy, > 1928-1987
Art > Copying.
Originality in art.
Originality in literature.
Art and literature.
Originalité dans l'art.
Originalité dans la littérature.
Art et littérature.
ART > Criticism & Theory.
Art and literature
Originality in art
Originality in literature
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Machine generated contents note: 1. Introduction
  • pt. 1 Copy as Imitation and Enumeration in Perec
  • 2. Copious Beginnings
  • 2.1. incipit of Un cabinet d'amateur (1979)
  • 2.2. Defining the Copy
  • 2.3. Original and Copy
  • 2.4. Mimesis
  • 2.5. Copy as copia
  • 3. Copying in Literature
  • 3.1. Literature in the Age of the Scribe
  • 3.2. Literature in the Age of Mechanical Reproduction
  • 4. Perec and His Copies
  • 4.1. Copying in Cabinet
  • 4.2. Copies in Cabinet: A Brief Typology
  • pt. 2 Pastiches
  • 5. Cabinet as Pastiche
  • 6. Kunstkammer in History and in Cabinet
  • 7. Discourse on Authentication
  • pt. 3 Paintings
  • 8. Copying in Painting
  • 8.1. Tradition of the Painter-Apprentice
  • 8.2. Fakes, Forgeries, and Citations
  • 9. Painting in Cabinet
  • 10. Trompe-l'oeil and L'Œil ebloui (1981)
  • 11. From One Canvas to Another
  • pt. 4 Intertexts
  • 12. Intertextuality in Cabinet
  • 13. Immediate Intratextual Source: La Vie mode d'emploi (1978)
  • 14. Intertextual Reference: Pierre Grassou by Balzac (1839)
  • 15. Early Intratextual Source: Le Condottiere (1957
  • 60)
  • 16. To Copy Is to Create: Menard's "Copy"
  • 17. Copy in Warhol: Imitation, Enumeration, and Death
  • pt. 5 Conclusion
  • 18. Copy Play in Perec and Warhol
  • 18.1. Copy as Original and Double
  • 18.2. Hidden Origins: Fog and Fogging in Perec
  • 18.3. Memorial and a Celebration, a Forging of Life from Death.

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