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Filming horror : Hindi cinema, ghosts and ideologies /
First book to study the horror genre of Hindi cinema in all its forms and expressions.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Delhi ; Thousand Oaks :
SAGE Publications,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Preface; Acknowledgements; INDIAN CINEMA AND IDEOLOGY; Hindi Cinema and Ideology; Cinema in the Colonial Context; GENRE, CODES AND THE HORROR CINEMA; Genre and Its Functionality; Horror Genre and Spectatorship; Freud and the Uncanny; Robin Wood's Return of the Repressed; Julia Kristeva and the Abject; Generic Codes of the Hindi Horror; Conjunctions and Departures with Hollywood; Generic Features of the Hindi Horror; Horror Cinema as Project of/for the 'Nation'; Nature of the Hindi Horror Genre; SECULAR CONSCIOUS NARRATIVE; Secularism in the Indian Context; Mahal: The Inaugural Moment of the Secular Consciousness; Madhumati; Kohraa; Bhool Bhulaiyaa; RETURN OF TRADITIONAL-CULTURAL NARRATIVE; Jadu Tona; Gehrayee; Phoonk; The Horror in Science Fiction: Between Morals and Mad Scientists; Historicity of the Monstrous Narrative; India and the Discourse of Science; Monstrosities from Science or Monstrous Science?; The Horror of Transmutation; The Triumph of the Traditional/Mythic Order; ; The Monstrous 'Other' Feminine; Mangalsutra and the Monstrous Other Feminine; Veerana; Modernization of Patriarchy and Post-liberalization Female Monstrosity; Raaz; Eight: The Power of Shani; Darling; THE INFLECTION OF THE HINDUTVA 'IDEO'LOGIC CINEMA; 1920; Haunted; Conclusion; References; Index.