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Traversals of affect : on Jean-Franc̦ois Lyotard /

"This volume traces the topic of affect across Lyotard's corpus and accounts for Lyotard's crucial and original contribution to the thinking of affect. Highlighting the importance of affect in Lyotard's philosophy, this work offers a unique contribution to both affect theory and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Gaillard, Julie (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Bloomsbury Publishing Plc, 2016.
Colección:Bloomsbury studies in continental philosophy.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover page ; Halftitle page ; Series page ; Title page ; Copyright page; Contents; List of Contributors; Introduction; Affect: an unarticulated phrase; Affect in the work of art and commentary; Affect as figure; Affect and the sublime in the age of new technologies; Affect in postmodern politics; Affect and the task of thinking; Notes; Section I Affect: An Unarticulated Phrase; 1 Apathēmata; Notes; 2 For "Emma"; Notes; Section II Affect in the Work of Art and in Commentary; 3 Pragmatics and Affect in Art and Commentary; Lyotard's pragmatic turn; The pragmatics of art.
  • The pragmatics of commentaryConclusion: pragmatics and affect; Notes; 4 Anamnesis; Linkage-linking psychoanalysis and art through anamnesis; Work-anamnesis as work; art as work; Affect-phrase; Time-the time of anamnesis; the time of art; Notes; 5 Lyotard's Gesture; Notes; 6 No Place for Complacency; Ending 1; Pause; Ending 2; Notes; Section III Affect as Figure; 7 Introduction-Before Affect; "From sight to vision, from the world to the phantasy"5; Reality opened by desire; The work of the figural; The matrix, the figural and the death drive; From the figural to affect; Notes.
  • 8 Following Lyotard's LinesEngaging auditoria: Guillermo Kuitca's Acoustic Mass VI and Mozart Da-Ponte VIII; Lines, discourse, and the figural: Lyotard's "The Line and the Letter"; The seating plan: discursive lines and figural transgressions; Affect, movement, and "as though directed somewhere else"; Notes; 9 Philip Guston's Piles; I; II; Notes; Section IV Affect and the Sublime in the Age of New Technologies; 10 Gods, Angels, and Puppets; Musical sublime presence; "Divine automatism" as pure perception; (God/sound) + (puppets/humans) = music as divine automatism; The god of sound.
  • Music and graceListening as "obedience": wrestling with the angels; The sound-feeling; Untitled; Notes; 11 Autoaffection and Lyotard's Cinematic Sublime; Notes; Section V Affect in Postmodern Politics; 12 A New Kind of Sublime; I; II; Notes; 13 Lyotard on Affect and Media; A brief user's guide to the postmodern 2.0; Winston's journal and anamnesis: paralogy 2.0; The two minutes hate: or the affect-phrase 2.0; Big Brother and development: performativity 2.0; In media res : the differend itself-version 2.0; Notes; Section VI Affect and the Task of Thinking.
  • 14 The Task of Thinking (in) The Postmodern Space of "The Zone"Nihilism and its perspectives; The suburb and the après-coup (Nachträglichkeit, belatedness); "Cultural politics"; The phrasophile philosopher; Notes; 15 Coups de Grâce; Notes; 16 Impious Thinking; I. The turn to the affect-phrase; II. Sexual difference; III. Reflective judgment and politics; IV. The subject of philosophy; Notes; Bibliography; Works by Jean-François Lyotard; General bibliography; Index.