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|a UAMI
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|a Conflict, identity, and protest in American art /
|c Miguel de Baca and Makeda Best.
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|a Newcastle upon Tyne :
|b Cambridge Scholars Publishing,
|c 2015.
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300 |
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|a 1 online resource (xxv, 182 pages)
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|a text
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Conflict, Identity, and Protest in American Art explores the powerful relationship between artistic production and cultures of conflict in the United States. Such a theme continues to provoke practitioners and scholars across a range of media and disciplines, especially as definitions of war and protest evolve and change in the twenty-first century. This anthology presents vital discussions of visual works in relationship to national identity, the politics and contexts of artistic production and reception, and the expressive and political function of art within historical periods defined by wa.
|
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|a Art and society
|z United States.
|
650 |
|
0 |
|a Art and social action.
|
650 |
|
0 |
|a Art, American
|x Political aspects
|z United States
|x History.
|
650 |
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6 |
|a Art et société
|z États-Unis.
|
650 |
|
6 |
|a Art et action sociale.
|
650 |
|
6 |
|a Art américain
|x Aspect politique
|z États-Unis
|x Histoire.
|
650 |
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7 |
|a C 1900 -.
|2 bicssc
|
650 |
|
7 |
|a Demonstrations & protest movements.
|2 bicssc
|
650 |
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|a Material culture.
|2 bicssc
|
650 |
|
7 |
|a ART
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Art, American
|x Political aspects.
|2 fast
|0 (OCoLC)fst00815913
|
650 |
|
7 |
|a Art and social action.
|2 fast
|0 (OCoLC)fst01742274
|
650 |
|
7 |
|a Art and society.
|2 fast
|0 (OCoLC)fst00815432
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
700 |
1 |
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|a Baca, Miguel de,
|d 1980-
|e editor.
|
700 |
1 |
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|a Best, Makeda,
|e editor.
|
776 |
0 |
8 |
|i Print version:
|a Best, Makeda.
|t Conflict, Identity, and Protest in American Art.
|d Newcastle-upon-Tyne : Cambridge Scholars Publishing, ©2015
|
856 |
4 |
0 |
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