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Multiples in pre-modern art /

In the art world, replicas are typically thought to be of low value. However skillfully created, they remain in the eyes of many mere copies, pointing toward an original of greater significance. In recent years, however, replicas and multiples have come to occupy a more central position in discussio...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Cupperi, Walter (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Alemán
Publicado: Zürich : Diaphanes, [2014]
Edición:1. Auflage.
Colección:Bilder Diskurs.
Temas:
Acceso en línea:Texto completo

MARC

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250 |a 1. Auflage. 
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264 4 |c ©2014 
300 |a 1 online resource (304 pages) :  |b illustrations. 
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490 1 |a Bilder Diskurs 
546 |a In English and German. 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover; Inhalt; Never Identical: Multiples in Pre-Modern Art? / Walter Cupperi; In the Roman Empire an Aura was a Breeze / Miranda Marvin (edited posthumously by Rolf Michael Schneider); Antike Reproduktionsmedien: Siegel und Münze zwischen Serialität und Authentizität / Andreas Grüner; Die Magdeburger Aquamanilien des 12. Jahrhunderts als ""Multiples"" / Joanna Olchawa; Die Tapisserie: Ein auratischer reproduzierender Bildträger / Wolfgang Brassat; Über die Anfänge der Reproduzierbarkeit von Kleinbronzen in der italienischen Renaissance / Claudia Kryza-Gersch. 
505 8 |a ""You Could Have Cast Two Hundred of Them"": Multiple Portrait Busts and Reliefs at the Court of Charles V of Habsburg / Walter Cupperi"" ... Et sia ritratto nella forma medesima"": Das Florentiner Gnadenbild der SS. Annunziata und seine Repliken / Susanne Kubersky-Piredda; ""A Certain Livelier Quality of Expression"": Bernini's Two Versions of the Bust of Scipione Borghese / Stefano Pierguidi; The Same but Different: Baroque Ivories and Reproduction / Marjorie Trusted; Multiples, Authorship and the Eighteenth-Century Portrait Bust's Aura / Malcolm C. Baker; Autorenverzeichnis. 
520 |a In the art world, replicas are typically thought to be of low value. However skillfully created, they remain in the eyes of many mere copies, pointing toward an original of greater significance. In recent years, however, replicas and multiples have come to occupy a more central position in discussions about ancient, medieval, and early modern art. Multiples in Pre-Modern Art looks at the production and reception of replicas and multiples before the nineteenth century. A wide variety of media are considered, including metal, marble, terra cotta, textiles, plaster, porcelain, canvas, w. 
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