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Rock 'n' film : cinema's dance with popular music /
In the mid-1950s, rock 'n' roll amalgamated earlier black and white working-class musical traditions to displace the Great American Songbook's hegemony over Anglophone popular music. At the same time, the classic musical was both displaced and re-created in a new form of film: the roc...
| Call Number: | Libro Electrónico |
|---|---|
| Main Author: | |
| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
New York :
Oxford University Press,
[2016]
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Introduction: rock 'n' film
- Absolute beginnings: Blackboard jungle
- Jukebox musicals
- Dirty stars: Jayne Mansfield and Kenneth Anger
- Rock 'n' roll noir: Elvis before the army
- Sunshine Elvis: The devil in disguise (inc morphology of the Elvis movie)
- Back in the UK: the English Elvises
- Beatles I: Richard Lester and A hard day's night
- Beatles II: next morning
- Bringing it all back home: toward the folk documentary
- D.A. Pennebaker: documentary from folk to folk rock and rock
- Utopia and its discontents: Woodstock
- The Rolling Stones I: the greatest rock 'n' film band in the world
- Mick Jagger, demon brother
- The Rolling Stones II: the U.S. tours, from concert film to film concert: Back to black : soul
- And white: country
- Retrospection and reflexivity: rock 'n' film suicide.