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Tristan's shadow : sexuality and the total work of art after Wagner /
'Tristan's Shadow' is an important, highly intelligent, and ambitious study. Rigorously researched, blissfully unencumbered by canonical narratives, and written with Adrian Daub's signature verve, this book provides a new, and entirely compelling, account of German opera after Wa...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago, Illinois :
The University of Chicago Press,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Daub, Adrian. | |
| 245 | 1 | 0 | |a Tristan's shadow : |b sexuality and the total work of art after Wagner / |c Adrian Daub. |
| 260 | |a Chicago, Illinois : |b The University of Chicago Press, |c 2014. | ||
| 300 | |a 1 online resource (viii, 228 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a 'Tristan's Shadow' is an important, highly intelligent, and ambitious study. Rigorously researched, blissfully unencumbered by canonical narratives, and written with Adrian Daub's signature verve, this book provides a new, and entirely compelling, account of German opera after Wagner. | |
| 588 | 0 | |a Print version record. | |
| 500 | |a Available through University Press Scholarship Online (SHEDL). | ||
| 505 | 0 | |a Acknowledgments; Introduction. Tristan's Shadow: The Fate of Sexual Differencein Opera; Chapter 1. Mother Mime: Wagner and the Metaphysics of Sexual Difference; Chapter 2. Mime's Revenge: The Total Work of Art and the Ugly Detail; Chapter 3. Taceat Mulier in Theatro: Richard Strauss's Guntram, Arthur Schopenhauer, and the Exorcism of the Voice; Chapter 4. Erotic Acoustics: The Natural History of the Theater and Der ferne Klang; Chapter 5. Congenital Blindness: Visions of Marriage in the Operas of Eugen d'Albert. | |
| 505 | 8 | |a Chapter 6. Occult Legacies: Eroticism and the Dynasty in Siegfried Wagner's OperasChapter 7. The Power of the "Verfluchte Lohe": (Post- ) Wagnerian Redheads in Das Rheingold, Fredegundis, and Irrelohe; Coda. "I'm a Stranger Here Myself"; Notes; Index. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Wagner, Richard, |d 1813-1883 |x Influence. |
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| 650 | 0 | |a Opera |y 19th century. | |
| 650 | 0 | |a Sex in opera. | |
| 650 | 6 | |a Sexualité à l'opéra. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
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| 650 | 7 | |a Sex in opera. |2 fast |0 (OCoLC)fst01114482 | |
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