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Georges Seurat : the art of vision /

"This revelatory study of Georges Seurat (1859-1891) explores the artist's profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his po...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Foa, Michelle, 1975- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Haven, CT : Yale University Press, [2015]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Foa, Michelle,  |d 1975-  |e author. 
245 1 0 |a Georges Seurat :  |b the art of vision /  |c Michelle Foa. 
246 3 0 |a Art of vision 
264 1 |a New Haven, CT :  |b Yale University Press,  |c [2015] 
264 4 |c ©2015 
300 |a 1 online resource (ix, 235 pages) :  |b 141 illustrations (some color) 
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588 0 |a Print version record and online resource (A & AePortal, viewed on July 1, 2019). 
504 |a Includes bibliographical references (pages 205-226) and index. 
520 |a "This revelatory study of Georges Seurat (1859-1891) explores the artist's profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist's approach. Foa contends that Seurat's body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa's analysis also brings to light Seurat's sustained exploration of long-standing and new forms of illusionism in art"--Publisher's website. 
505 0 0 |t Frontmatter --  |t Contents --  |t Acknowledgments --  |t Introduction --  |t 1. Seeing in Series --  |t 2. Figuring Out Vision --  |t 3. Seductive Sights --  |t 4. Sight and Touch in Black and White --  |t Postscript: The Eiffel Tower as Urban Lighthouse --  |t Notes --  |t Index --  |t Illustration Credits 
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600 1 0 |a Seurat, Georges,  |d 1859-1891  |x Criticism and interpretation. 
600 1 7 |a Seurat, Georges,  |d 1859-1891  |2 fast 
650 0 |a Neo-impressionism (Art) 
650 0 |a Visual perception in art. 
650 6 |a Néo-impressionnisme (Art) 
650 6 |a Perception visuelle dans l'art. 
650 7 |a Neo-Impressionist.  |2 aat 
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