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The music of counterculture cinema : a critical study of 1960s and 1970s soundtracks /
"Films produced in late 1960s and early 1970s America continue to frame our understanding of the counterculture era. A study of contemporary film soundtracks reveals a great deal of complexity. The coinciding struggles to define collective and individual identities based on race, class, gender...
| Clasificación: | Libro Electrónico |
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| Autores principales: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Jefferson, North Carolina :
McFarland & Company, Inc.,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Acknowledgments
- Table of Contents
- Introduction
- 1. Framing Utopia: Monterey Pop and the Heart of the Counterculture
- 2. Creating the Downfall: Gimme Shelter and the "End" of the Counterculture
- 3. Searching for the Real Times, Baby: Head and the Unmaking of the Monkees
- 4. Love in Counterculture Film: Music's Diplomatic Role in Harold and Maude
- 5. Space Is the Place: Barbarella and Hearing the Future
- 6. Did the Soundtrack Also Blow It?: Using Rock to Capture Counterculture Generational Identity
- 7. Setting the Escapist Scene with Music: Sex and Comedy in an Exotic World
- 8. Generational Genocide: Selling Youth Rebellion in Roger Corman's Gas-s-s-s
- 9. African American Artists in Hollywood: Isaac Hayes' Contribution to Shaft
- 10. I'm Watching It for Its Music: Deep Throat and Its Soundtrack
- 11. Challenging Normativity and Pushing Boundaries: Midnight Cowboy and Cultural Resistance
- 12. Ambiguous Meaning of Music: Combining Technology and Music in the Dystopian World of A Clockwork Orange
- 13. Understanding Country Ways: A Talk with Country Joe McDonald About Counterculture Film
- 14. Bringing the 1960s to Life: An Interview with Director Robert Greenwald
- Coda
- Works Cited
- Index.