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Perhaps there is hope : reading Lamentations as a polyphony of pain, penitence, and protest /
Bier proposes here a strong new understanding of the Book of Lamentations, drawing on Bakhtinian ideas of multiple voices to analyse the poetic speaking voices within the text; examining their theological perspectives, and nuancing the interaction between them. Bier scrutinises interpretations of La...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Bloomsbury T & T Clark,
2015.
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| Colección: | Library of Hebrew Bible/Old Testament studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bier, Miriam J. | |
| 245 | 1 | 0 | |a Perhaps there is hope : |b reading Lamentations as a polyphony of pain, penitence, and protest / |c by Miriam J. Bier. |
| 264 | 1 | |a New York : |b Bloomsbury T & T Clark, |c 2015. | |
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| 490 | 1 | |a The Library of Hebrew Bible/Old Testament Studies ; |v v. 603 | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgments; Abbreviations; Chapter 1 -- INTRODUCTION; 1. Introduction; 2. Introduction to Lamentations; 3. Theodic and Antitheodic Readings of Lamentations; 4. The Dialogism of the Idea and the Polyphonic Text; 5. Point of View in the Polyphonic Text; 6. Conclusions; Chapter 2 -- READING LAMENTATIONS 1 AS A POLYPHONY; 1. Introduction to Lamentations 1: The Lamenter and Zion; 2. Lamentations 1: Analysis; 3. Overall Point of View: Lamentations 1; 4. Summary and Conclusions: Lamentations 1; 5. Postscript: The Disappearing Poet; Chapter 3 -- READING LAMENTATIONS 2 AS A POLYPHONY | |
| 505 | 8 | |a 1. Introduction to Lamentations 2: The Lamenter and Zion Aligned2. Analysis of Lamentations 2; 3. Overall Point of View: Lamentations 2; 4. Summary and Conclusions: Lamentations 2; 5. Postscript: The Deceptive Lamenter and the Disappearing Woman; Chapter 4 -- READING LAMENTATIONS 3 AS A POLYPHONY; 1. Introduction to Lamentations 3: The gbr and Authoritative Discourse; 2. Analysis of Lamentations 3; 3. Overall Point of View: Lamentations 3; 4. Summary and Conclusions: Lamentations 3; Chapter 5 -- READING LAMENTATIONS 4 AS A POLYPHONY; 1. Introduction to Lamentations 4: The Lamenter and bt-'my | |
| 505 | 8 | |a 2. Analysis of Lamentations 43. Overall Point of View: Lamentations 4; 4. Summary and Conclusions: Lamentations 4; Chapter 6 -- READING LAMENTATIONS 5 AS A POLYPHONY; 1. Introduction to Lamentations 5: The Communal Voice; 2. Analysis of Lamentations 5; 3. Overall Point of View: Lamentations 5; 4. Summary and Conclusions: Lamentations 5; Chapter 7 -- READING LAMENTATIONS AS A POLYPHONY; 1. Introduction; 2. Looking for a Monologic Message in Lamentations; 3. Reading Lamentations as a Polyphony; 4. What Is Invested? Theodicy and Antitheodicy as Apologetic for the Text | |
| 505 | 8 | |a 5. Conclusions: The Hermeneutical Implications of PolyphonyChapter 8 -- CONCLUSIONS; Bibliography; Index of References; Index of Authors | |
| 520 | 8 | |a Bier proposes here a strong new understanding of the Book of Lamentations, drawing on Bakhtinian ideas of multiple voices to analyse the poetic speaking voices within the text; examining their theological perspectives, and nuancing the interaction between them. Bier scrutinises interpretations of Lamentations, distinguishing between exegesis that reads Lamentations as a theodicy, in defense of God, and those that read it as an anti-theodicy, in defense of Zion. Rather than reductively adopting either of these approaches, this book advocates a dialogic approach to Lamentations, reading to hear the full polyphony of pain, penitence, and protest | |
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English | ||
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