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Rhetorical exposures : confrontation and contradiction in US social documentary photography /

Documentary photography aims to capture the material reality of life. In Rhetorical Exposures, Christopher Carter demonstrates how the creation and display of documentary photographs- often now called " imagetexts"--Both invite analysis and raise persistent questions about the political an...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Carter, Christopher, 1974- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Tuscaloosa : The University of Alabama Press, [2015]
Colección:Rhetoric, culture, and social critique.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Rhetorical exposures :  |b confrontation and contradiction in US social documentary photography /  |c Christopher Carter. 
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490 1 |a Rhetoric, culture, and social critique 
504 |a Includes bibliographical references and index. 
505 0 |a Writing with light : Jacob Riis's ambivalent exposures -- Let us now praise manly men : the antidocumentary heroics of James Agee and Walker Evans -- Picturing capital : Ted Streshinsky's travels in "revolutionary" California -- The rhetoric of ruins : walking with Walter Benjamin and Camilo Joseb Vergara -- Keeping watch : immersion in post-Katrina visual culture. 
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520 |a Documentary photography aims to capture the material reality of life. In Rhetorical Exposures, Christopher Carter demonstrates how the creation and display of documentary photographs- often now called " imagetexts"--Both invite analysis and raise persistent questions about the political and social causes for the bleak scenes of poverty and distress captured on film. Carter' s carefully reasoned monograph examines both formal qualities of composition and the historical contexts of the production and display of documentary photographs. In Rhetorical Exposures, Carter explores Jacob Riis' s hear 
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