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|a Carter, Christopher,
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|a Rhetorical exposures :
|b confrontation and contradiction in US social documentary photography /
|c Christopher Carter.
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|a Tuscaloosa :
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|c ©2015
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|a 1 online resource (xv, 199 pages)
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|a Rhetoric, culture, and social critique
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|a Includes bibliographical references and index.
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|a Writing with light : Jacob Riis's ambivalent exposures -- Let us now praise manly men : the antidocumentary heroics of James Agee and Walker Evans -- Picturing capital : Ted Streshinsky's travels in "revolutionary" California -- The rhetoric of ruins : walking with Walter Benjamin and Camilo Joseb Vergara -- Keeping watch : immersion in post-Katrina visual culture.
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|a Documentary photography aims to capture the material reality of life. In Rhetorical Exposures, Christopher Carter demonstrates how the creation and display of documentary photographs- often now called " imagetexts"--Both invite analysis and raise persistent questions about the political and social causes for the bleak scenes of poverty and distress captured on film. Carter' s carefully reasoned monograph examines both formal qualities of composition and the historical contexts of the production and display of documentary photographs. In Rhetorical Exposures, Carter explores Jacob Riis' s hear
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|i Print version:
|a Carter, Christopher, 1974-
|t Rhetorical exposures : confrontation and contradiction in US social documentary photography.
|d Tuscaloosa, Alabama : The University Alabama Press, ©2015
|h xv, 199 pages
|k Rhetoric, culture, and social critique.
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