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EBSCO_ocn899480001 |
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150108s2014 nyua ob 001 0 eng d |
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|a 9780511783661
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|a UAMI
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|a Henson, Karen,
|d 1972-
|e author.
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1 |
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|a Opera acts :
|b singers and performance in the late nineteenth century /
|c Karen Henson.
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|a New York :
|b Cambridge University Press,
|c 2014.
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|a 1 online resource (xvi, 264 pages) :
|b illustrations
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|a text
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|a Cambridge studies in opera
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|a Includes bibliographical references (pages 222-253) and index.
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|a Print version record.
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|g Machine generated contents note:
|g 1.
|t Verdi, Victor Maurel, and the operatic interpreter --
|g 2.
|t Real mezzo: Celestine Galli-Marie as Carmen --
|g 3.
|t Photographic diva: Massenet, Sibyl Sanderson, and the soprano as spectacle --
|g 4.
|t Jean de Reszke, the "problem" of the tenor, and early international Wagner performance.
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|a Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures--the late Verdi baritone Victor Maurel, Bizet's first Carmen Celestine Galli-Marie, Massenet's muse of the 1880s and 1890s Sibyl Sanderson, and the early Wagner star Jean de Reszke--Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
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|a Opera
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|a Singing
|x History
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|a Chant
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|i Print version:
|a Henson, Karen, 1972-
|t Opera acts
|z 9781107004269
|w (DLC) 2013048937
|w (OCoLC)863596009
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|a Cambridge studies in opera.
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