Beyond the sound barrier : the jazz controversy in twentieth-century American fiction /

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Beyond the Sound Barrier examines twentieth-century fictional representations of popular music-particularly jazz-in the fiction of James Weldon Johnson, F. Scott Fitzgerald, Langston Hughes, and Toni Morrison. Kristin K. Henson argues that an analysis of musical tropes in the work of these four auth...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Henson, Kristin K., 1968-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Routledge, 2003.
Colección:Literary criticism and cultural theory.
Temas:
1900-1999
American fiction > 20th century > History and criticism.
Jazz in literature.
American fiction > African American authors > History and criticism.
African Americans > Intellectual life > 20th century.
Music and literature > History > 20th century.
Musical fiction > History and criticism.
African American musicians in literature.
Jazz musicians in literature.
Music in literature.
Race in literature.
Roman américain > 20e siècle > Histoire et critique.
Jazz dans la littérature.
Roman américain > Auteurs noirs américains > Histoire et critique.
Noirs américains > Vie intellectuelle > 20e siècle.
Musique et littérature > Histoire > 20e siècle.
Roman musical > Histoire et critique.
Musiciens noirs américains dans la littérature.
Musiciens de jazz dans la littérature.
Musique dans la littérature.
Race dans la littérature.
LITERARY CRITICISM > American > General.
African Americans > Intellectual life.
American fiction.
American fiction > African American authors.
Music and literature.
Musical fiction.
Literatur
Jazz > Motiv
USA
Criticism, interpretation, etc.
History.
Acceso en línea:Texto completo

MARC

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100 1 |a Henson, Kristin K.,  |d 1968- 
245 1 0 |a Beyond the sound barrier :  |b the jazz controversy in twentieth-century American fiction /  |c Kristin K. Henson. 
264 1 |a New York :  |b Routledge,  |c 2003. 
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504 |a Includes bibliographical references (pages 145-154) and index. 
588 0 |a Print version record. 
505 0 |a Cover; Original Title Page; Title Page; Copyright Page; Dedication; Table of Contents; Introduction; CHAPTER ONE A sympathetic, singing instrument: Musical Tropes and Cultural Fusion in James Weldon Johnson's The Autobiography if an Ex-Coloured Man; CHAPTER TWO A big sensation -- CHAPTER THREE Musical Range: Langston Hughes's The Ways of White Folks; CHAPTER FOUR Only in the head of a musician: The Powers of Music in Toni Morrison's Jazz; CONCLUSION; NOTES; BIBLIOGRAPHY; INDEX. 
520 |a Beyond the Sound Barrier examines twentieth-century fictional representations of popular music-particularly jazz-in the fiction of James Weldon Johnson, F. Scott Fitzgerald, Langston Hughes, and Toni Morrison. Kristin K. Henson argues that an analysis of musical tropes in the work of these four authors suggests that cultural ""mixing"" constitutes one of the central preoccupations of modernist literature. Valuable for any reader interested in the intersections between American literature and the history of American popular music, Henson situates the literary use of popular music as a 
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650 0 |a Jazz in literature. 
650 0 |a American fiction  |x African American authors  |x History and criticism. 
650 0 |a African Americans  |x Intellectual life  |y 20th century. 
650 0 |a Music and literature  |x History  |y 20th century. 
650 0 |a Musical fiction  |x History and criticism. 
650 0 |a African American musicians in literature. 
650 0 |a Jazz musicians in literature. 
650 0 |a Music in literature. 
650 0 |a Race in literature. 
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650 6 |a Jazz dans la littérature. 
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650 6 |a Musique dans la littérature. 
650 6 |a Race dans la littérature. 
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650 7 |a American fiction  |x African American authors.  |2 fast  |0 (OCoLC)fst00807049 
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650 7 |a Music and literature.  |2 fast  |0 (OCoLC)fst01030479 
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