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How the materiality of paint is intrinsic to the work of art : an explanation of the meaningful placement of the medium of painting in contemporary art theory /
With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lewiston, New York :
Edwin Mellen Press,
[2013]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
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| 008 | 131007s2013 nyu ob 001 0 eng d | ||
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| 100 | 1 | |a Lawrence, Sharon Orleans. | |
| 245 | 1 | 0 | |a How the materiality of paint is intrinsic to the work of art : |b an explanation of the meaningful placement of the medium of painting in contemporary art theory / |c Sharon Orleans Lawrence ; with foreword by George Bauer. |
| 264 | 1 | |a Lewiston, New York : |b Edwin Mellen Press, |c [2013] | |
| 300 | |a 1 online resource (ix, 288 pages .) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a HOW THE MATERIALITY OF PAINT IS INTRINSIC TO THE WORK OF ART: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgments; Introduction; Chapter 1 -- The Materiality of What Painting Was; Chapter 2 -- The Materiality of What Painting Is; Chapter 3 -- The Materiality of Paint; Chapter 4 -- The Materiality of Paint and Painters; Chapter 5 -- The Materiality of Experience, Painterliness; Chapter 6 -- The Materiality of Experience, Markmaking. | |
| 505 | 8 | |a Chapter 7 -- The Materiality of Experience, Artist's Intent and the ViewerConclusion; Bibliography; Index. | |
| 520 | |a With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and how it contributes to a viewer's engagement with a painting. Materiality is, literally, the embodiment of the painting's ontology, distilled from the characteristics of the paint, the painter's experience with the paint, and its presentation to the viewer in such a way as to evoke a visceral respon. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Painting |x History. | |
| 650 | 6 | |a Peinture |x Histoire. | |
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| 650 | 7 | |a Painting. |2 fast |0 (OCoLC)fst01050567 | |
| 650 | 7 | |a Visual Arts. |2 hilcc | |
| 650 | 7 | |a Art, Architecture & Applied Arts. |2 hilcc | |
| 650 | 7 | |a Painting. |2 hilcc | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a George Bauer, |e writer of foreword. | |
| 776 | 0 | 8 | |i Print version: |z 9780773444638 |z 0773444637 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=632343 |z Texto completo |
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