Body knowledge : performance, intermediality, and American entertainment at the turn of the twentieth century /

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The performances and conceptions of art by women that emerged in American cities in the early 20th century were innovative, compelling, and deeply meaningful. This book examines these performances and the performers behind them, focusing particularly on the ways in which they negotiated turn-of-the-...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Simonson, Mary
Format: Électronique eBook
Langue:Inglés
Publié: New York : Oxford University Press, 2013.
Sujets:
Umschulungswerkstätten für Siedler und Auswanderer > Bitterfeld
Bibel > Philemonbrief
1900-1999
Revues > United States > 20th century > History and criticism.
Women dancers > United States > History > 20th century.
Intermediality.
Revues (Music-hall) > États-Unis > 20e siècle > Histoire et critique.
Danseuses > États-Unis > Histoire > 20e siècle.
Intermédialité.
PERFORMING ARTS > Theater > General.
Revues.
Women dancers.
Performance > Künste
Intermedialität
Tanz
Tänzerin
Revue > Veranstaltung
United States.
Criticism, interpretation, etc.
History.
Accès en ligne:Texto completo
Table des matières:
  • Prologue: Singing intermediality : Darktown, downtown
  • Choreographing Salome : re-creating the female body
  • Acting ancient : Hellenism, pageantry, and American modernity
  • Dancing music : Isadora Duncan and Wagnerism in the American imagination
  • Dancing pictures : Rita Sacchetto's Tanzbilder
  • Moving images : Adeline Genée and Bessie Clayton's danced histories
  • Filming opera : Anna Pavlova and The dumb girl of Portici
  • Finale: Performing intermediality in The passing show of 1913.

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