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Erik Satie : music, art and literature /

Exploring the many aspects of Erik Satie's creativity, Caroline Potter examines his philosophy and psychology, revealed through his music; Satie's interest and participation in visual and literary artistic media; and his collaborations with other artists. His artistic activity, during a tu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Potter, Caroline (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Burlington, VT : Ashgate, 2013.
Colección:Music and literature (Farnham, Surrey, England)
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Erik Satie :  |b music, art and literature /  |c edited by Caroline Potter, Kingston University, UK. 
264 1 |a Burlington, VT :  |b Ashgate,  |c 2013. 
264 4 |c ©2013 
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504 |a Includes bibliographical references (pages 325-340) and indexes. 
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505 0 |a Satie's personal and musical logic / Robert Orledge -- Satie and the meaning of the comic / Ann-Marie Hanlon -- Satie's Rose-Croix piano works / Grace Wai Kwan Gates -- Satie as poet, playwright and composer / Caroline Potter -- 'The only musician with eyes' : Erik Satie and visual art / Simon Shaw-Miller -- Exploring interart dialogue in Erik Satie's Sports et divertissements (1914/1922) / Helen Julia Minors -- Parade : ballet réaliste / Christine Reynolds -- Collaborative Works in Satie's last years / Pietro Dossena -- History, Homeopathy and the spiritual impulse in the post-war reception of Satie : Cage, Higgins, Beuys / Matthew Mendez -- After Satie / Howard Skempton in conversation with Caroline Potter -- Appendix: Chronological catalogue of Satie's compositions and research guide to the manuscripts / Robert Orledge. 
520 |a Exploring the many aspects of Erik Satie's creativity, Caroline Potter examines his philosophy and psychology, revealed through his music; Satie's interest and participation in visual and literary artistic media; and his collaborations with other artists. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place Satie at the centre of French musical life. This book is essential reading for anyone interested in the French musical and cultural scene of the late nineteenth. 
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