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Creativity and the Agile Mind : a Multi-Disciplinary Study of a Multi-Faceted Phenomenon /
Creativity is a highly-prized quality in almost any domain of human endeavor, whether one is crafting tangible objects from physical materials, or mental objects from concepts, words, pictures and musical notes. It is a diverse, multi-faceted phenomenon that demands a diverse, multi-disciplinary per...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berlin :
De Gruyter,
2013.
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| Colección: | Applications of Cognitive Linguistics ACL.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
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| 082 | 0 | 4 | |a 153.3/5 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Forceville, Ch. |q (Charles) | |
| 245 | 1 | 0 | |a Creativity and the Agile Mind : |b a Multi-Disciplinary Study of a Multi-Faceted Phenomenon / |c ed. by Tony Veale, Kurt Feyaerts adn Charles Forceville. |
| 260 | |a Berlin : |b De Gruyter, |c 2013. | ||
| 300 | |a 1 online resource (380 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Applications of Cognitive Linguistics [ACL] | |
| 505 | 0 | |a Part I: Introduction; 1 Creativity and the Agile Mind; Introducing The Agile Mind; Understanding The Agile Mind: A Journey; Conceptual Agility in an Abstract Space; Collecting The Agile Mind: A Bird's Eye View; Parting Thoughts; References; 2 E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound; Agile Interpretation and Creative Duality; Agile Imagery; Agile Sounds; Agile Words; CRIME: An Agile Framework for Producers and Consumers; Conclusions; References; Part II: Computers and Creativity; 3 Computers and Creativity; Introduction. | |
| 505 | 8 | |a What do we mean by 'creativity': Some examplesCognitive mechanisms of creativity; Computational modeling of creativity; Computer-based creativity-support systems; Conclusions and future research; References; 4 Gravital: natural language processing for computer graphics; Introduction; Computer graphics and user interfaces; Graphics Language Processor; Perception; Node-based interface; Acknowledgements; References; 5 Talking Points in Linguistic Creativity; Introduction; Related Work and Ideas; Acquiring Conceptual Talking Points; Building a Slipnet of Talking Points; Empirical Evaluation. | |
| 505 | 8 | |a ConclusionsReferences; Part III: Verbal Communication; 6 Creatively Exploiting Linguistic Norms; Introduction; What is an exploitation?; The Creative Continuum; Are all rhetorical tropes exploitations?; Summary and Conclusions; References; 7 Online semantic creativity in parliamentary debates; Introduction; Theoretical background; Case-study: creativity and perspectivation in interactional discourse; Conclusions and outlook; References; 8 Yo, who be the main gangsta in our phat gang? -- Linguistic creativity and the construction of hyperpersonal identity; Introduction. | |
| 505 | 8 | |a Three perspectives on relating onlineAn example of hyperpersonal communication -- Creative gangstas on the net; Blending Theory and the creation of hyperpersonal identity; The creation of hyperpersonal identity as a joint process of action layering; The role of the medium; Conclusions; References; 9 Resonating humour -- A corpus-based approach to creative parallelism in dialogue; Introduction; Theoretical background; The dataset: semi-automatic retrieval from the Corinth corpus; Resonating humour in the Corinth corpus; Conclusion; References; 10 A Cognitive Grammar of Creativity; Introduction. | |
| 505 | 8 | |a Cognitive LinguisticsAnalysing Creativity; Conclusions; References; Part IV: Visual Communication; 11 Creativity in the forms and functions of spontaneous gestures with speech; Introduction; Formal characteristics of creative gestures; Creativity in the functions of coverbal gestures; Discussion and Conclusions; Acknowledgements; References; 12 Creative visual duality in comics balloons; Introduction; Blending Theory, Emergent Structure, and Creativity; Blending, Emergent Structure, and Creativity in Comics Balloons; Blending and Creativity in Balloons: Concluding Remarks; Acknowledgments. | |
| 504 | |a References. | ||
| 520 | |a Creativity is a highly-prized quality in almost any domain of human endeavor, whether one is crafting tangible objects from physical materials, or mental objects from concepts, words, pictures and musical notes. It is a diverse, multi-faceted phenomenon that demands a diverse, multi-disciplinary perspective. By bringing together a wide range of creative producers and consumers, in domains as diverse as cognition, language, music, gesture, image and computation, this volume offers the student of creativity a new and exciting perspective whose many facets form a comprehensive and coherent whole. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Creativity (Linguistics) | |
| 650 | 0 | |a Cognitive grammar. | |
| 650 | 0 | |a Grammar, Comparative and general |x Coordinate constructions. | |
| 650 | 6 | |a Créativité (Linguistique) | |
| 650 | 6 | |a Grammaire cognitive. | |
| 650 | 6 | |a Coordonnées (Linguistique) | |
| 650 | 7 | |a Communication studies. |2 bicssc | |
| 650 | 7 | |a Discourse analysis. |2 bicssc | |
| 650 | 7 | |a Linguistics. |2 bicssc | |
| 650 | 7 | |a Sociolinguistics. |2 bicssc | |
| 650 | 7 | |a PSYCHOLOGY |x Creative Ability. |2 bisacsh | |
| 650 | 7 | |a SELF-HELP |x Creativity. |2 bisacsh | |
| 650 | 7 | |a Cognitive grammar |2 fast | |
| 650 | 7 | |a Creativity (Linguistics) |2 fast | |
| 650 | 7 | |a Grammar, Comparative and general |x Coordinate constructions |2 fast | |
| 653 | |a Cognitive Science | ||
| 653 | |a Creativity | ||
| 653 | |a Language | ||
| 653 | |a Music | ||
| 653 | |a Visual Communication | ||
| 700 | 1 | |a Feyaerts, Kurt, |d 1968- | |
| 700 | 1 | |a Veale, Tony, |d 1967- | |
| 776 | 0 | 8 | |i Print version: |a Forceville, Charles. |t Creativity and the Agile Mind : A Multi-Disciplinary Study of a Multi-Faceted Phenomenon. |d Berlin : De Gruyter, ©2013 |z 9783110293487 |
| 830 | 0 | |a Applications of Cognitive Linguistics ACL. | |
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