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The body of the people : East German dance since 1945 /

This book is a study of dance and choreography in East Germany. More than twenty years after the fall of the Berlin Wall, the author takes a look at the national dance history in the German Democratic Republic, from its founding as a Communist state that supplanted the Soviet zone of occupation in 1...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Giersdorf, Jens Richard
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Madison : The University of Wisconsin Press, [2013]
Colección:Studies in dance history (Unnumbered)
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Giersdorf, Jens Richard. 
245 1 4 |a The body of the people :  |b East German dance since 1945 /  |c Jens Richard Giersdorf. 
264 1 |a Madison :  |b The University of Wisconsin Press,  |c [2013] 
264 4 |c ©2013 
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490 1 |a Studies in dance history 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Introduction : Spectacles between Utopia and Ostalgie -- Dancing National Identity in Daily Life : A New German Folk (1945-61) -- East German Tanztheater : Reconsidering Socialist Realism and Modernism (1960s and 1970s) -- Resistive Motions in the East : Rechoreographing Opposition (1980s) -- Border Crossings and Intranational Trespasses : The Fall of the Berlin Wall (1989-2009) -- Toward a Transnational History of East German Dance : The Choreography of Patricio Bunster (1930s to Present). 
520 |a This book is a study of dance and choreography in East Germany. More than twenty years after the fall of the Berlin Wall, the author takes a look at the national dance history in the German Democratic Republic, from its founding as a Communist state that supplanted the Soviet zone of occupation in 1949 through the aftermath of its collapse forty years later, examining complex themes of nationhood, ideology, resistance, and diaspora through an innovative mix of archival research, critical theory, personal narrative, and performance analysis. The author looks closely at uniquely East German dance forms - including mass exercise events, national folk dances, Marxist-Leninist visions staged by the dance ensemble of the armed forces, the vast amateur dance culture, East Germany's version of Tanztheater, and socialist alternatives to rock 'n' roll - to demonstrate how dance was used both as a form of corporeal utopia and of embodied socialist propaganda and indoctrination. The book also explores the artists working in the shadow of official culture who used dance and movement to critique and resist state power, notably Charlotte von Mahlsdorf, Arila Siegert, and Fine Kwiatkowski. This book considers a myriad of embodied responses to the Communist state even after reunification, analyzing the embodiment of the fall of the Berlin Wall in the works of Jo Fabian and Sasha Waltz, and the diasporic traces of East German culture abroad, exemplified by the Chilean choreographer Patricio Bunster. 
546 |a English. 
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