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130302s2012 enk o 000 0 eng d |
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|a 1162219504
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|a 9781441114952
|q (electronic bk.)
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|a 1441114955
|q (electronic bk.)
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|a (OCoLC)828793883
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|a PN1922 .O84 2012
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|a 809.917
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|a UAMI
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|a O'Shannon, Dan.
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|a What Are You Laughing At? :
|b a Comprehensive Guide to the Comedic Event.
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|a London :
|b Bloomsbury Pub.,
|c 2012.
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|a 1 online resource (321 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
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|a online resource
|b cr
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|a Cover; Title; Copyright; Contents; Introduction; Overview; 1 Common comedy theories; 2 The comedic event; 3 Documenting the comedic event; Part One Elements of context: the reception factors; 1 The receiver and his world; 1.1 The line between funny and not funny; 1.2 A comedy frame of mind; 1.3 The duality of comedy: two types of laughter; 1.4 Early reception factors; 1.5 Levels of social interaction; 2 Elements of communication; 2.1 Modes of communication; 2.2 Device and specific device; 3 Vehicles; 3.1 Vehicles; 3.2 Vehicle-based reception factors.
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|a 4 Level of control and identifying the source4.1 Level of control; 4.2 Identifying the source; Part Two Comedic Information; 5 Fundamental components; 5.1 The receiver's brain: hard-wired for comedy?; 5.2 Comedic information: the triangle; 5.3 The core variables; 6 Incongruity; 6.1 Incongruity; 6.2 Estimating levels of incongruity; 6.3 Types of incongruity; 7 Cognitive process; 7.1 Cognitive process: overview; 7.2 Level one: straightforward information; 7.3 Level two: gap-filling; 7.4 Level three: recontextualization; 8 Variations; 8.1 Exploring the four corners of the triangle.
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|a 8.2 What are practical jokes?9 Comedy and entropy; 9.1 Sustaining the laugh; 9.2 Entropy; Part Three Enhancers, inhibitors, and aspects of awareness; 10 How comedic information triggers enhancers and inhibitors; 10.1 Overview; 10.2 On-going social needs: superiority, identification, and inclusion; 10.3 Aspects of awareness; 11 Elements of the joke's communication, structure, and content; 11.1 Resuming the chart: the joke as a whole; 11.2 Elements of communication and structure; 11.3 Elements of content; 11.4 The target; Summing it all up; The completed chart.
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|a Final thoughts and acknowledgmentsIndex.
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|a If you're looking for a book that will teach you how to write comedy, we suggest you keep moving. You still have time to pick up a copy of Writing Big Yucks for Big Bucks before the store closes. However, if you want to understand the bigger picture -- what is comedy, why do we respond to it the way we do -- then you've come to the right place. What Are You Laughing At? presents an entirely new approach to comedy theory. It challenges long-held beliefs and shows how the three main theories of comedy (incongruity, superiority, and relief) are not in conflict; but rather, work as parts of a larg.
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|a Print version record.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Comedy
|x History and criticism
|x Theory, etc.
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650 |
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|a Comédie
|x Histoire et critique
|x Théorie, etc.
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650 |
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|a BIOGRAPHY & AUTOBIOGRAPHY
|x Literary.
|2 bisacsh
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
0 |
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|i Print version:
|a O'Shannon, Dan.
|t What Are You Laughing At? : A Comprehensive Guide to the Comedic Event.
|d London : Bloomsbury Publishing, ©2012
|z 9781441162939
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856 |
4 |
0 |
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|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
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|a ProQuest Ebook Central
|b EBLB
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|a EBSCOhost
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|a YBP Library Services
|b YANK
|n 10247980
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