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EBSCO_ocn825978095 |
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|a 9781443844574
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|a 9781443844574
|b Cambridge Scholars Publishing
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050 |
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4 |
|a N72.S6
|b D475 2012
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072 |
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|a ART
|x 023000
|2 bisacsh
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0 |
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|a 306.47
|2 23
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049 |
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|a UAMI
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245 |
0 |
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|a Design collective :
|b an approach to practice /
|c edited by Harriet Edquist and Laurene Vaughan.
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260 |
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|a Newcastle upon Tyne, UK :
|b Cambridge Scholars Pub.,
|c 2012.
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300 |
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|a 1 online resource (x, 272 pages) :
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|2 rda
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|a Includes bibliographical references (pages 248-262) and index.
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588 |
0 |
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|a Print version record.
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520 |
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|a The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse.
|
505 |
0 |
0 |
|g Chapter 1
|t Design Collectives: More Than the Sum of their Parts /
|r Laurene Vaughan
|g Vaughan, Laurene
|g 8 --
|t Sharing --
|t Shared experiences --
|t Shared yet distributed expertise --
|t Shared meaning --
|t Design collectives as ecologies of practice --
|g Chapter 2
|t Creaturely Collectives: Parametricism and Getting to the Afterparty /
|r Pia Ednie-Brown
|g Ednie-Brown, Pia
|g 16 --
|t Collectivity --
|t Individuation and the Collective Life of Individual Things --
|t Style as Collective Individuation --
|t Parametricism --
|t Resonating at the Afterparty --
|g Chapter 3
|t Inscription as a Collective Practice: Taking Place and "The Other Side of Waiting" /
|r Julia Dwyer
|g Dwyer, Julia
|g 35 --
|t taking place: A Loose Collective --
|t Tracing a Continuum of Feminist Spatial Practice --
|t The Other Side of Waiting: Inscriptions --
|g Inscription 1
|t Volant --
|g Inscription 2
|t Dear Ladies of the Club --
|g Inscription 3
|t Going and Corning Back --
|g Inscription 4
|t Circling --
|g Inscription 5
|t Comm.s --
|g Inscription 6
|t Communications --
|t Conclusion --
|g Chapter 4
|t Practicing Generosity: The Hospitality of Collective Space /
|r Melanie Dodd
|g Dodd, Melanie
|g 54 --
|g Chapter 5
|t E1027: From Modernist House to Feminist Collective /
|r Karen Burns
|g Burns, Karen
|g 68 --
|t Collectives: A Different Account of Agency --
|t E1027 --
|g Chapter 6
|t Play on Display: Videogame Collectives and Museum Culture /
|r Helen Stuckey
|g Stuckey, Helen
|g 87 --
|t Introduction --
|t Gamers, Collective Intelligence and the New Knowledge Communities --
|t Community-Built Online Archives --
|t The Case of Sonic: Authoritative Audiences --
|t Hits of the Eighties and the Museum as a Graveyard of Dying Objects --
|t Intimacy and Agency --
|t Curatorial Challenges --
|g Chapter 7
|t Coming Back to Crochet: How Social Media Supports Handmade Design and Social Innovation /
|r Angelina Russo
|g Russo, Angelina
|g 103 --
|t Introduction --
|t The Economics of Design Innovation --
|t Critical Making and Knowledge Exchange --
|t Passionate Practices --
|t DIY Citizenship and Ethical Practices --
|t Design Communities and Handmade Design --
|t Crafting Communities --
|t Design as Activism --
|t Social Innovation and Handmade Design Practices Conclusion --
|g Chapter 8
|t Legacy of Historical Design Collectives in Contemporary Experimental Design: A Case Study of Global Tools and Digestion by Matali Crasset /
|r Katherine Moline
|g Moline, Katherine
|g 121 --
|t Introduction The Contribution of Design to Globalisation --
|t The Design Collective Global Tools and the Principles of Re-purposing and Co-creation --
|t Historical Returns and Spectrality --
|t Making Design Out of $2 Shop Remnants in Crasset's Digestion --
|t Re-purposing Products to Offset the Environmental Effects of the Globalised Waste Culture --
|t Expanding the Principles of Global Tools into a Wider Commercial Context --
|g Chapter 9
|t High Risk Dressing by the Collective known as the Fashion Design Council of Australia /
|r Robyn Healy
|g Healy, Robyn
|g 141 --
|t Production of Fashion --
|t Catwalk Parade --
|t Nightclubs --
|t Critics --
|g Chapter 10
|t Collective Responsibility: The Public and the (UK) Council of Industrial Design in the 1940s --
|t Lesley Whitworth --
|t Inception of the Council of Industrial Design --
|t SC Leslie, the Council's First Director --
|t The Council's Early Agenda --
|t Parallel Developments: The Utility Scheme --
|t Conclusion --
|g Chapter 11
|t Earthworks and Beyond /
|r Jess Berry
|g Berry, Jess
|g 182 --
|t Introduction --
|t Earthworks Poster Collective: another social reality for the good of the community --
|t Beyond Earthworks: Queensland Collectives 1979-1989 --
|t Inkahoots: Commercial Reality and the Community --
|t Conclusion --
|g Chapter 12
|t Collective Identities /
|r Marius Foley
|g Foley, Marius
|g 198 --
|t Backyard Press --
|t Building a Culture --
|t Collective motives --
|t Champion Books --
|t Co-creation --
|t Conclusion --
|g Chapter 13
|t Creative Ecologies: Flying Nun Records 1981-1997, Xpressway 1988-1993 /
|r Sian O'Gorman
|g O'Gorman, Sian
|g 221 --
|t Introduction --
|t Creative Ecologies --
|t Background --
|t Keystone Species
|t Diversity
|t Locality
|t Co-evolution
|t System
|t Conclusion.
|
546 |
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|a English.
|
590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Art and society.
|
650 |
|
0 |
|a Design
|x Social aspects.
|
650 |
|
0 |
|a Artistic collaboration.
|
650 |
|
0 |
|a Industrial design
|x Social aspects.
|
650 |
|
6 |
|a Art et société.
|
650 |
|
6 |
|a Design
|x Aspect social.
|
650 |
|
6 |
|a Collaboration artistique.
|
650 |
|
7 |
|a Individual designers.
|2 bicssc
|
650 |
|
7 |
|a Social & cultural history.
|2 bicssc
|
650 |
|
7 |
|a Employee-ownership & co-operatives.
|2 bicssc
|
650 |
|
7 |
|a ART
|x Popular Culture.
|2 bisacsh
|
650 |
|
7 |
|a Art and society
|2 fast
|
650 |
|
7 |
|a Artistic collaboration
|2 fast
|
650 |
|
7 |
|a Design
|x Social aspects
|2 fast
|
700 |
1 |
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|a Edquist, Harriet.
|
700 |
1 |
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|a Vaughan, Laurene.
|
776 |
0 |
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|i Print version:
|z 1443840270
|z 9781443840279
|
856 |
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