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Design collective : an approach to practice /

The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Edquist, Harriet, Vaughan, Laurene
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne, UK : Cambridge Scholars Pub., 2012.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Design collective :  |b an approach to practice /  |c edited by Harriet Edquist and Laurene Vaughan. 
260 |a Newcastle upon Tyne, UK :  |b Cambridge Scholars Pub.,  |c 2012. 
300 |a 1 online resource (x, 272 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references (pages 248-262) and index. 
588 0 |a Print version record. 
520 |a The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse. 
505 0 0 |g Chapter 1  |t Design Collectives: More Than the Sum of their Parts /  |r Laurene Vaughan  |g Vaughan, Laurene  |g 8 --  |t Sharing --  |t Shared experiences --  |t Shared yet distributed expertise --  |t Shared meaning --  |t Design collectives as ecologies of practice --  |g Chapter 2  |t Creaturely Collectives: Parametricism and Getting to the Afterparty /  |r Pia Ednie-Brown  |g Ednie-Brown, Pia  |g 16 --  |t Collectivity --  |t Individuation and the Collective Life of Individual Things --  |t Style as Collective Individuation --  |t Parametricism --  |t Resonating at the Afterparty --  |g Chapter 3  |t Inscription as a Collective Practice: Taking Place and "The Other Side of Waiting" /  |r Julia Dwyer  |g Dwyer, Julia  |g 35 --  |t taking place: A Loose Collective --  |t Tracing a Continuum of Feminist Spatial Practice --  |t The Other Side of Waiting: Inscriptions --  |g Inscription 1  |t Volant --  |g Inscription 2  |t Dear Ladies of the Club --  |g Inscription 3  |t Going and Corning Back --  |g Inscription 4  |t Circling --  |g Inscription 5  |t Comm.s --  |g Inscription 6  |t Communications --  |t Conclusion --  |g Chapter 4  |t Practicing Generosity: The Hospitality of Collective Space /  |r Melanie Dodd  |g Dodd, Melanie  |g 54 --  |g Chapter 5  |t E1027: From Modernist House to Feminist Collective /  |r Karen Burns  |g Burns, Karen  |g 68 --  |t Collectives: A Different Account of Agency --  |t E1027 --  |g Chapter 6  |t Play on Display: Videogame Collectives and Museum Culture /  |r Helen Stuckey  |g Stuckey, Helen  |g 87 --  |t Introduction --  |t Gamers, Collective Intelligence and the New Knowledge Communities --  |t Community-Built Online Archives --  |t The Case of Sonic: Authoritative Audiences --  |t Hits of the Eighties and the Museum as a Graveyard of Dying Objects --  |t Intimacy and Agency --  |t Curatorial Challenges --  |g Chapter 7  |t Coming Back to Crochet: How Social Media Supports Handmade Design and Social Innovation /  |r Angelina Russo  |g Russo, Angelina  |g 103 --  |t Introduction --  |t The Economics of Design Innovation --  |t Critical Making and Knowledge Exchange --  |t Passionate Practices --  |t DIY Citizenship and Ethical Practices --  |t Design Communities and Handmade Design --  |t Crafting Communities --  |t Design as Activism --  |t Social Innovation and Handmade Design Practices Conclusion --  |g Chapter 8  |t Legacy of Historical Design Collectives in Contemporary Experimental Design: A Case Study of Global Tools and Digestion by Matali Crasset /  |r Katherine Moline  |g Moline, Katherine  |g 121 --  |t Introduction The Contribution of Design to Globalisation --  |t The Design Collective Global Tools and the Principles of Re-purposing and Co-creation --  |t Historical Returns and Spectrality --  |t Making Design Out of $2 Shop Remnants in Crasset's Digestion --  |t Re-purposing Products to Offset the Environmental Effects of the Globalised Waste Culture --  |t Expanding the Principles of Global Tools into a Wider Commercial Context --  |g Chapter 9  |t High Risk Dressing by the Collective known as the Fashion Design Council of Australia /  |r Robyn Healy  |g Healy, Robyn  |g 141 --  |t Production of Fashion --  |t Catwalk Parade --  |t Nightclubs --  |t Critics --  |g Chapter 10  |t Collective Responsibility: The Public and the (UK) Council of Industrial Design in the 1940s --  |t Lesley Whitworth --  |t Inception of the Council of Industrial Design --  |t SC Leslie, the Council's First Director --  |t The Council's Early Agenda --  |t Parallel Developments: The Utility Scheme --  |t Conclusion --  |g Chapter 11  |t Earthworks and Beyond /  |r Jess Berry  |g Berry, Jess  |g 182 --  |t Introduction --  |t Earthworks Poster Collective: another social reality for the good of the community --  |t Beyond Earthworks: Queensland Collectives 1979-1989 --  |t Inkahoots: Commercial Reality and the Community --  |t Conclusion --  |g Chapter 12  |t Collective Identities /  |r Marius Foley  |g Foley, Marius  |g 198 --  |t Backyard Press --  |t Building a Culture --  |t Collective motives --  |t Champion Books --  |t Co-creation --  |t Conclusion --  |g Chapter 13  |t Creative Ecologies: Flying Nun Records 1981-1997, Xpressway 1988-1993 /  |r Sian O'Gorman  |g O'Gorman, Sian  |g 221 --  |t Introduction --  |t Creative Ecologies --  |t Background --  |t Keystone Species  |t Diversity  |t Locality  |t Co-evolution  |t System  |t Conclusion. 
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