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Between opera and cinema /
Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge,
2002.
|
| Colección: | Critical and cultural musicology.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- From Méphistophélès to Méliès : spectacle and narrative in opera and early film / Rose Theresa
- "There ain't no sanity claus!" The Marx Brothers at the opera / Michal Grover-Friedlander
- The tales of Hoffman : an instance of operality / Lesley Stern
- The cinematic body in the operatic theater : Philip Glass's La belle et la bête / Jeongwon Joe
- Why does Hollywood like opera? / Marc A. Weiner
- Opera in film : sentiment and wit, feeling and knowing : The Shawshank redemption and Prizzi's honor / Mary Hunter
- Is there a text in this libido? Diva and the rhetoric of contemporary opera criticism / David J. Levin
- The elusive voice : absence and presence in Jean-Pierre Ponnelle's film Le nozze di Figaro / Marcia J. Citron
- Verdi in postwar Italian cinema / Deborah Crisp and Roger Hillman
- Chinese opera, global cinema, and the ontology of the person : Chen Kaige's Farewell my concubine / Teri Silvio
- Sounding out the operatic : Jacques Rivette's Noroît / Mary M. Wiles.