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Early Buddhist art of China and Central Asia. V. 3, The western Ch'in in Kansu in the sixteen kingdoms period and inter-relationships ... /

This book, third in a series on the early Buddhist art of China and Central Asia, centers on Buddhist art from the Western Ch'in (385-431 A.D.) in eastern Kansu (northwest China), primarily from the cave temples of Ping-ling ssu and Mai-chi shan. A detailed chronological and iconographic study...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rhie, Marylin M.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Netherlands : Brill Academic Pubs, 2010.
Colección:Handbuch der Orientalistik. China.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Early Buddhist art of China and Central Asia.  |n V. 3,  |p The western Ch'in in Kansu in the sixteen kingdoms period and inter-relationships ... /  |c Marylin Martin Rhie. 
246 3 |a Western Ch'in in Kansu in the sixteen kingdoms period and inter-relationships 
260 |a Netherlands :  |b Brill Academic Pubs,  |c 2010. 
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490 1 |a Handbook of Oriental studies. Section 4, China ;  |v v. 12/3 
505 0 0 |a Preliminary Material -- Introduction -- Chapter One The Western Ch'in (385-431 A.D.): History and Buddhism -- Chapter Two Bronze Buddha Altar from Ching-ch'uan -- Chapter Three Ping-ling ssu Stone Caves: Introduction and Niche No. 1 -- Chapter Four Ping-ling ssu Cave 169: West (Rear) Wall -- Chapter Five Ping-ling ssu Cave 169: East and South Walls -- Chapter Six Ping-ling ssu Cave 169: North Wall (I) -- Chapter Seven Ping-ling ssu Cave 169: North Wall (II) -- Chapter Eight The Five Buddhas and Sets of Multiple Buddhas in the Art of Gandhāra and Afghanistan and their Relation to Cave 169 at Ping-ling ssu and the Five T'an-yao Caves at Yün-kang -- Chapter Nine Mai-chi shan: Early Caves -- Conclusions: Volume III -- Appendix I: Communication Routes during the Sixteen Kingdoms Period -- Appendix II: Table of Texts Regarding Amitāyus and Sukhāvatī -- Bibliography -- Index -- Color Plates. 
520 |a This book, third in a series on the early Buddhist art of China and Central Asia, centers on Buddhist art from the Western Ch'in (385-431 A.D.) in eastern Kansu (northwest China), primarily from the cave temples of Ping-ling ssu and Mai-chi shan. A detailed chronological and iconographic study of sculptures and wall paintings in Cave 169 at Ping-ling ssu particularly yields a chronological framework for unlocking the difficult issues of dating early fifth century Chinese Buddhist art, and offers some new insights into textual sources in the Lotus, Hua-yen and Amitabha sutras. Further, this study introduces the iconographpy of the five Buddhas and its relation to the art of Gandhara and the famous five colossal T'an-yao caves at Yün-kang. 
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