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Engaging haydn: culture, context, and criticism.
Haydn is enjoying renewed appreciation: this book explores fresh approaches to his music and the cultural forces affecting it.
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Engaging haydn: culture, context, and criticism. |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Engaging Haydn; Title; Copyright; Dedication; Contents; Contributors; Acknowledgements; Introduction; PART I: Cultures of vocal music; 1: Fantasy island: Haydn's Metastasian "reform" opera; Epistolary self-promotion; A perfect storm:social and musical connections; Milestones of the year 1779:entrepreneurship, love, empire; Stones in the island garden; Costanza and Orfeo in the labyrinth; Genre; Abstract; 2: Haydn invents Scotland; The poems; The melodies; Haydn's arrangements for William Napier (1791-95); The arrangements for George Thomson (1800-04); The end of an old song?; Abstract. | |
| 505 | 8 | |a 3: Haydn's English canzonettas in their local contextThe canzonets of Arnold, Storace, Schetky, and Shield; Pre-history of Haydn's canzonettas; Haydn's canzonettas and English songs; Types and genres; I: Pastoral; sea song; II: Elegy; Elaborate melodies in strophic form: "Recollection"; "Despair"; Stile retorico elegies: The Wanderer"; "The Spirit's Song"; "She Never Told Her Love"; III:Aria; "pre-Romantic" song: "Fidelity"; "Content"; "O Tuneful Voice"; Keyboard style and texture; Appendix; Abstract. | |
| 505 | 8 | |a 4: Revolution, rebirth, and the sublime in Haydn's L'anima del filosofo and The CreationEnglish connections; The creation myth embedded in the Orpheus myth; Badini's and Haydn's anti-hero Orpheus; Musical links between L'anima del filosofo and The Creation; Why an Orpheus opera?; Abstract; 5: "Achieved is the glorious work": The Creation and the choral work concept; Abstract; Part II: Analytical readings and rereadings; 6: Imagination, continuity, and form in the first movements of Haydn's Opus 77 quartets; I; Exposition; Development and false recapitulation; Recapitulation; II; Exposition. | |
| 505 | 8 | |a The Creation Credo: a trinitarian readingThe Nelson Credo: a christological reading; Conclusion; Abstract; Appendix; Appendix Graph 1 Creation Credo; Appendix Graph 2 Nelson Credo; Part III: Performance; 11: Haydn's string quartet fingerings: communications to performer and audience; Fingerings and the relation between composer and performer; Fingerings and the listener; Appendix: table of fingerings in Haydn's string quartets; 12: Haydn's orchestras and his orchestration to 1779, with an excursus on the Times-of-Day symphonies; Introduction; I: Haydn and the "outside world." | |
| 520 | |a Haydn is enjoying renewed appreciation: this book explores fresh approaches to his music and the cultural forces affecting it. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Haydn, Joseph, |d 1732-1809 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Haydn, Joseph, |d 1732-1809 |2 fast |0 (OCoLC)fst00040899 |
| 650 | 4 | |a Fine Arts. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Composers & Musicians. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Hunter, Mary. |t Engaging Haydn : Culture, Context, and Criticism. |d Cambridge : Cambridge University Press, ©2012 |z 9781107015142 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=465695 |z Texto completo |
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