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Willa Cather and aestheticism : from Romanticism to Modernism /

In this collection of essays, contributors investigate the various connections between Willa Cather's fiction and her aesthetic beliefs and practices. Including multiple perspectives and critical approaches-derived from the Aesthetic Movement, the visual arts, modernism, and the relationship be...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Watson, Sarah Cheney, 1948-, Moseley, Watson and Ann, 1947-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Madison : Fairleigh Dickinson University Press, 2012.
Colección:Fairleigh Dickinson University Press series on Willa Cather in memory of Merrill M. Skaggs.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Willa Cather and aestheticism :  |b from Romanticism to Modernism /  |c edited by Sarah Cheney Watson and Ann Moseley. 
260 |a Madison :  |b Fairleigh Dickinson University Press,  |c 2012. 
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490 1 |a The Fairleigh Dickinson University Press series on Willa Cather in memory of Merrill M. Skaggs 
504 |a Includes bibliographical references and index. 
505 0 0 |t Introduction : The "intrinsic beauty" of art /  |r Ann Moseley and Sarah Cheney Watson.  |g Part I : The aesthetic movement  |t Exit smiling : the case for Paul's dandyism /  |r Timothy W. Bintrim --  |t Innocence and experience, good and evil, and doppelgangers : decadent aesthetics in Cather's "Consequences," James's "The jolly corner," and Wilde's The picture of Dorian Gray /  |r Sonja Froiland Lynch and Robert Lee Lynch --  |t Willa Cather's time machine : Alexander's bridge, H.G. Wells, and aesthetic temporality /  |r Peter Betjemann --  |t Aestheticism and the dispossessed : Cather's dual Europe in America /  |r Nicholas Birns --  |t Willa Cather's disenchanted epicurean : Godfrey St. Peter in The professor's house /  |r Sarah Cheney Watson --  |g Part II : The visual arts  |t The arts and crafts on Willa Cather's frontier /  |r Leona Sevick --  |t Cather's "Twilight stage" : aestheticism, tonalism, and modernist sentiment /  |r Joseph C. Murphy --  |t Willa Cather, the Nabi of Red Cloud /  |r Mark Facknitz --  |t Blessed damsels, lost ladies, and Cather's real women /  |r Angela Conrad --  |t Fernand Léger and Willa Cather's "Coming, Aphrodite!" /  |r Jacqueline H. Harris --  |g Part III : Movement toward modernism  |t "The nude had descended the staircase" : Katherine Anne Porter looks at Willa Cather looking at modern art /  |r Janis P. Stout --  |t With the "hand, fastidious and bold" : bridging Walter Pater's aestheticism and Willa Cather's modernism /  |r Olga Aksakalova --  |t From British aestheticism to American modernism : Cather's transforming vision /  |r Jo Ann Middleton --  |g Part IV : Art and religion  |t Willa Cather's sheltering art : Cather's cathedral and the Adams factor /  |r John J. Murphy. 
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520 |a In this collection of essays, contributors investigate the various connections between Willa Cather's fiction and her aesthetic beliefs and practices. Including multiple perspectives and critical approaches-derived from the Aesthetic Movement, the visual arts, modernism, and the relationship between art and religion-this collection will increase our understanding of Cather's aesthetic and lead to a better comprehension of her work and her life. 
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