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Framed spaces : photography and memory in contemporary installation art /
"While earlier theorists held up "experience" as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hanover :
Dartmouth College Press,
2012.
|
| Colección: | Interfaces, studies in visual culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a McTighe, Monica E. | |
| 245 | 1 | 0 | |a Framed spaces : |b photography and memory in contemporary installation art / |c Monica E. McTighe. |
| 246 | 3 | 0 | |a Photography and memory in contemporary installation art |
| 260 | |a Hanover : |b Dartmouth College Press, |c 2012. | ||
| 300 | |a 1 online resource (254 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 380 | |a Bibliography | ||
| 490 | 1 | |a Interfaces: studies in visual culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Expanding the frame. Installation art in the 1970s -- The politics of representation. Archive and memory in the work of Renée Green -- The poetics of experience. Ann Hamilton's installations and photographs -- Camera obscura. Memory in film and video installations in the 2000s -- Conclusion. Installation art and memory. | |
| 520 | |a "While earlier theorists held up "experience" as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographic-based theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography- and film-based installations. With its close readings of specific works, Framed Spaces will appeal to art historians and theorists across a broad spectrum of the visual arts"--Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Art and photography. | |
| 650 | 0 | |a Installations (Art) |x Themes, motives. | |
| 650 | 6 | |a Art et photographie. | |
| 650 | 6 | |a Installations (Art) |x Thèmes, motifs. | |
| 650 | 7 | |a ART |x History |x Modern (late 19th Century to 1945) |2 bisacsh | |
| 650 | 7 | |a Art and photography. |2 fast |0 (OCoLC)fst00815420 | |
| 650 | 7 | |a Installations (Art) |x Themes, motives. |2 fast |0 (OCoLC)fst00974253 | |
| 650 | 7 | |a Installation |g Kunst |2 gnd | |
| 650 | 7 | |a Fotografie |2 gnd | |
| 776 | 0 | 8 | |i Print version: |a McTighe, Monica E. |t Framed spaces. |d Hanover : Dartmouth College Press, 2012 |z 9781611682519 |w (DLC) 2011051354 |w (OCoLC)760976112 |
| 830 | 0 | |a Interfaces, studies in visual culture. | |
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