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|a Merrell, Floyd,
|d 1937-
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|a Pararealities :
|b the nature of our fictions and how we know them /
|c Floyd Merrell.
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|a Amsterdam ;
|a Philadelphia :
|b Benjamins,
|c 1983.
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|a 1 online resource (xi, 170 pages).
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|a Purdue University monographs in Romance languages,
|x 0165-8743 ;
|v v. 12
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|a Includes bibliographical references.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [S.l.] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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|a PARAREALITIES: THE NATURE OF OUR FICTIONS AND HOW WE KNOW THEM; Editorial page; Title page; Table of contents; Foreword; Chapter One; 1.1 POSTULATE I: The Initial Cut in the Flux of Experience Results in an Elemental Negation Whereby That which Is Is Contrasted with That which It Is Not.; 1.2 POSTULATE II: Negation Is Possible Only with Respect to Something.; Chapter Two; 2.0 THEOREM I: Knowing What a Fiction Is Entails Tacit Knowledge of What It Is Not.; 2.1 How the Range of All Possible Fictions Can Be Made Intelligible
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|a 2.2 Conception/Perception-Imagination of Fictions Entails a Fictional Operator2.3 To Conceive/Perceive-Imagine a Fiction Is to Oscillate between What the ""Real World"" Is and What It Is Not.; 2.4 Fictional Responses Vary with Respect to the Type of Fictional Constructs.; 2.5 On the Nature of the Barrier between Fictions and the ""Real World""; 2.6 Fictional Worlds versus Dream Worlds; Chapter Three; 3.0 THEOREM II: Knowing What a Fiction Is Entails Knowing Part of the Intrinsic Background of Possibilities.; 3.1 Foundations for a Model of the Intrinsic Background.
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|a 3.2 The Relationship between Language, Images, and Fictions with Respect to the Intrinsic Background.3.3 The Intrinsic Background as an Unlimited Set of Possibilities; 3.4 On the Interface between the Intrinsic Background and the ""Real World.""; 3.5 A Postulated Common Base for Mathematics, Scientific Fictions, and Natural Language Fictions.; Chapter Four; 4.0 THEOREM III: Knowing a Fiction Entails an Initial Split between Knower and Known.; 4.1 Preliminaries; 4.2 The Many Worlds of Fictions; 4.3 The Schizophrenic Self and Its Self-Consuming Fictions
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|a 4.4 The Domain of Imaginary Worlds: Jungle or Labyrinth4.5 Continuity versus Discontinuity; 4.6 The Potential for Imaginary Worlds; 4.7 The Upper Bounds o f Imaginary Worlds; Chapter Five; 5.0 THEOREM IV: Knowing a Fiction Begins at the Limits of the/a ""Real World.""; 5.1 Toward a Formal Model of the Upper Bounds Representing the Range of All Possible Fictional Sentences.; Epilogue: Some Speculation Beyond; Appendix I; Appendix II; Appendix III; Notes; References
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|a Fictions, Theory of.
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|a Reality.
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|a Knowledge, Theory of.
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|a Théorie de la fiction.
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|a Réalité.
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|a Théorie de la connaissance.
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|a epistemology.
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|a PHILOSOPHY
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|i Print version:
|a Merrell, Floyd, 1937-
|t Pararealities.
|d Amsterdam ; Philadelphia : Benjamins, 1983
|w (OCoLC)9429496
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830 |
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0 |
|a Purdue University monographs in Romance languages ;
|v v. 12.
|x 0165-8743
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