Theatre History Studies 2011 : Volume 31.

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"Theatre History Studies" is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebrask...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Justice-Malloy, Rhona
Otros Autores: Studies, Theatre History, Barranger, Milly S., Osborne, Elizabeth A., 1977-, Chansky, Dorothy, Bank, Rosemarie K., Crespy, David Allison, Herrmann-Miller, Eileen, Kattwinkel, Susan, Nathans, Heather S., Kokai, Jennifer A., Bowers, Rick, Gordon, Kelly Carolyn, Derrick, Patty S., Blansfield, Karen Charmaine, Chessum, Tracey Elaine, Engle, Sherry Darlene, 1945-, Foley, Kathy, Nelson, Laura M., Neve, Brian, Ritschel, Nelson O'Ceallaigh, 1959-, Santvoord, Van, Spingler, Michael, Stufft, Monica, Tvedt, Ryan, Venning, Dan, White, Andrew W., Wilson, James F., Zank, Ronald J.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Tuscaloosa : University of Alabama Press, 2011.
Colección:Theatre History Studies.
Temas:
Theater > History.
Théâtre > Histoire.
PERFORMING ARTS > Theater > History & Criticism.
Theater
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • List of Illustrations; In Memoriam: Vera Mowry Roberts (1913-2010)
  • Milly S. Barranger; Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community
  • Kelly Carolyn Gordon; Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project
  • Elizabeth Osborne; Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke
  • Rick Bowers; Burns Mantle and the American Theatregoing Public
  • Dorothy Chansky.
  • Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism
  • Jennifer A. KokaiJulia Marlowe's Imogen: Modern Identity, Victorian Style
  • Patty S. Derrick; Book Reviews; Heather S. Nathans, Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black
  • Reviewed by Rosemarie K. Bank; Kerry Powell, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde
  • Reviewed by Karen C. Blansfield; David Savran, Highbrow/Lowdown: Theater, Jazz, and the Makingof the New Middle Class
  • Reviewed by Dorothy Chansky.
  • Irene G. Dash, Shakespeare and the Ameri can Musical
  • Reviewed by Tracey Elaine ChessumRakesh H. Solomon, Albee in Performance, and Anne Paolucci, Edward Albee (The Later Plays)
  • Reviewed by David A. Crespy; Judith Barlow, Women Writers of the Provincetown Players
  • Reviewed by Sherry Engle; Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth Century Shanghai
  • Reviewed by Kathy Foley; DeAnna M. Toten Beard, Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern Ameri can Theatre, 1916-1921
  • Reviewed by Eileen Herrmann- Miller.
  • Mark Cosdon, The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931
  • Reviewed by Susan KattwinkelMichael Ragussis, Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain
  • Reviewed by Heather S. Nathans; Pamela Cobrin, From Winning the Vote to Directing on Broad way: The Emergence of Women on the New York Stage, 1880-1927
  • Reviewed by Laura M. Nelson; Joseph Litvak, The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture
  • Reviewed by Brian Neve.
  • John P. Harrington, ed., Irish Theatre in America: Essays on Irish Theatrical Diaspora
  • Reviewed by Nelson O'Ceallaigh RitschelOscar Brockett, Margaret Mitchell, and Linda Hardberger, Making the Scene: A History of Stage Design and Technology in Europe and the United States
  • Reviewed by Van Santvoord; Mechele Leon, Molière, the French Revolution, and the Theatrical Afterlife
  • Reviewed by Michael Spingler; Marlis Schweitzer, When Broadway Was the Runway: Theater, Fashion, and American Culture
  • Reviewed by Monica Stufft.
  • Catherine A. Schuler, Theatre and Identity in Imperial Russia
  • Reviewed by Ryan Tvedt.

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