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Literature, Criticism, and the Theory of Signs.
Following Peirce in his non-reductive understanding of the theory of signs as a branch of aesthetics, this book reconceptualizes the processes of literary creation, appreciation and reading in semiotic terms. Here is a carefully developed theory of what sort of criteria serve to distinguish apposite...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
John Benjamins Publishing Company,
1995.
|
| Colección: | Semiotic crossroads ;
v. 7. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tejera, V. |q (Victorino) | |
| 245 | 1 | 0 | |a Literature, Criticism, and the Theory of Signs. |
| 260 | |a Amsterdam : |b John Benjamins Publishing Company, |c 1995. | ||
| 300 | |a 1 online resource (168 pages) | ||
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| 490 | 1 | |a Semiotic crossroads, |x 0922-5072 ; |v v. 7 | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a LITERATURE, CRITICISM, AND THE THEORY OF SIGNS; Editorial page; Title page; Copyright page; Dedication; Table of contents; PREFACE; INTRODUCTION. A Guideto the Project Undertaken by this Book; Chapter 1. Bakhtin, Dialogism, and Plato's Dialogues; 1. The Dialogical Nature of Dostoyevsky's Narratives; 2. The Dialogical Nature of Speech and Thought; 3. Dialogical Poetics in Dostoyevsky and Plato; 4. Problems in Bakhtin's Poetics; 5. The Voices That We Hear in Plato's Dialogues; Chapter 2. The Text, the Work, and the Reader; 1. The Need for Text Reception History and an Aesthetics of Reading. | |
| 505 | 8 | |a 2. Peirce's Account of Interpretants and their Signs3. The Generic Identity of the Literary Work, and Its Design; 4. The Mode of Judgment of the Work, and of Its Responsive Articulation; Chapter 3. Deconstruction as Poetics; 1. Deconstruction and the Sense of Structure; 2. Deconstructive Attitudes toward Writing; 3. Dialogism and Sophism, Logicism and Creative Rationality; 4. The Aesthetics of Non-Graphicist Deconstruction; Chapter 4. The Modes of Judgment & the Nature of Criticism; 1. Reprise on the Semiotic Approach to Literary Significance; 2. The Poetics of Aristotle and Buchler. | |
| 505 | 8 | |a 3. Poetic Responsiveness as the Model of Valid Reading4. Mimêsis as Re-enactment and Expression; 5. Assertive, Active, and Exhibitive Judgment; 6. Reading as a Communicative Interaction; 7. Testing Peirce's Semeiotic: the Problem of Metaphor; Chapter 5. The Contexts of Reading; 1. Flawed Texts, Flawed Readings; 2. The Transactional Nature of Critical Reading; 3. Poststructural Criticism, Modernism and Postmodernism; 4. Context-Determined Misreadings; Chapter 6. The Semiotics of Reading; 1. The Reader; 2. The Critic; 3. On the Dependency and Autonomy of Criticism. | |
| 505 | 8 | |a Appendix: Ten Classes of SignsBIBLIOGRAPHY; INDEX. | |
| 520 | |a Following Peirce in his non-reductive understanding of the theory of signs as a branch of aesthetics, this book reconceptualizes the processes of literary creation, appreciation and reading in semiotic terms. Here is a carefully developed theory of what sort of criteria serve to distinguish apposite from inapposite readings of literary works-of-art. Given Peirce's triadic account of signification, it enlarges Aristotle's view of mimesis as expressive making into an understanding of literary works as deliberatively designed sign-systems belonging to Peirce's eighth class of signs. In parallel w. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Criticism. | |
| 650 | 0 | |a Deconstruction. | |
| 650 | 0 | |a Poetics. | |
| 650 | 0 | |a Dialogue analysis. | |
| 650 | 0 | |a Semiotics and literature. | |
| 650 | 0 | |a Literature |x Philosophy. | |
| 650 | 0 | |a Deconstructivism (Architecture) | |
| 650 | 6 | |a Critique. | |
| 650 | 6 | |a Déconstruction. | |
| 650 | 6 | |a Poétique. | |
| 650 | 6 | |a Analyse du dialogue. | |
| 650 | 6 | |a Sémiotique et littérature. | |
| 650 | 6 | |a Déconstructivisme (Architecture) | |
| 650 | 7 | |a criticism. |2 aat | |
| 650 | 7 | |a literary criticism. |2 aat | |
| 650 | 7 | |a Deconstructivist. |2 aat | |
| 650 | 7 | |a deconstruction (theory) |2 aat | |
| 650 | 7 | |a LITERARY CRITICISM |x Semiotics & Theory. |2 bisacsh | |
| 650 | 7 | |a Literature |x Philosophy |2 fast | |
| 650 | 7 | |a Criticism |2 fast | |
| 650 | 7 | |a Deconstruction |2 fast | |
| 650 | 7 | |a Dialogue analysis |2 fast | |
| 650 | 7 | |a Poetics |2 fast | |
| 650 | 7 | |a Semiotics and literature |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Tejera, Victorino. |t Literature, Criticism, and the Theory of Signs. |d Amsterdam : John Benjamins Publishing Company, ©1995 |z 9789027219480 |
| 830 | 0 | |a Semiotic crossroads ; |v v. 7. | |
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