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Renaissance Paratexts.
A stimulating collection which explores both the material and the conceptual worlds of the early modern book.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2011.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Smith, Helen. | |
| 245 | 1 | 0 | |a Renaissance Paratexts. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2011. | ||
| 300 | |a 1 online resource (290 pages) | ||
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| 505 | 0 | |a Cover; Title; Copyright; Contents; Figures; Contributors; Acknowledgements; Introduction; Part I Orders of the book; Chapter 1 'Imprinted by Simeon such a signe': reading early modern imprints; Chapter 2 'Intended to Offenders': the running titles of early modern books; Chapter 3 Changed opinion as to flowers; I; II; III; IV; V; Chapter 4 The beginning of 'The End': terminal paratext and the birth of print culture; I; II; Part II Making readers; Chapter 5 Editorial pledges in early modern dramatic paratexts; Chapter 6 Status anxiety and English Renaissance translation. | |
| 505 | 8 | |a Chapter 7 Playful paratexts: the front matter of Anthony Munday's Iberian romance translationsChapter 8 'Signifying, but not sounding': gender and paratext in the complaint genre; I; II; III; Part III Books and users; Chapter 9 Unannotating Spenser; Chapter 10 Reading the home: the case of hairspThe English Housewife; How do you read Renaissance how-to books?; Are you out of your element? Enter Markham in digestive mode; Setting the table of contents; The indexical domestic imagination; Chapter 11 Pictures, places, and spaces: Sidney, Wroth, Wilton House, and the Songe de Poliphile; Afterword. | |
| 505 | 8 | |a Visual paratextsThe author as paratext; Conclusion; Notes; Introduction; 1 'Imprinted by simeon such a signe' : reading early modern imprints; 2 'Intended to offenders': the running titles of early modern books; 3 Changed opinion as to flowers; 4 The beginning of 'The End': terminal paratext and the birth of print culture; 5 Editorial pledges in early modern dramatic paratexts; 6 Status anxiety and English Renaissance translation; 7 Playful paratexts: the front matter of Anthony Munday's Iberian romance translations; 8 'Signifying, but not sounding': gender and paratext in the complaint genre. | |
| 505 | 8 | |a 9 Unannotating Spenser10 Reading the home: the case of hairspThe English Housewife; 11 Pictures, places, and spaces: Sidney, Wroth, Wilton House, and the Songe de Poliphile; Afterword; Select bibliography; Index. | |
| 520 | |a A stimulating collection which explores both the material and the conceptual worlds of the early modern book. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a European literature |y Renaissance, 1450-1600 |x History and criticism. | |
| 650 | 0 | |a Paratext. | |
| 650 | 6 | |a Littérature européenne |y 1450-1600 (Renaissance) |x Histoire et critique. | |
| 650 | 6 | |a Paratexte. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Publishing. |2 bisacsh | |
| 650 | 7 | |a European literature |x Renaissance |2 fast | |
| 650 | 7 | |a Paratext |2 fast | |
| 648 | 7 | |a 1450-1600 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Wilson, Louise. | |
| 776 | 0 | 8 | |i Print version: |a Smith, Helen. |t Renaissance Paratexts. |d Cambridge : Cambridge University Press, ©2011 |z 9780521117395 |
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