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Mime, music and drama on the eighteenth-century stage : the ballet d'action /

"The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nye, Edward (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, UK ; New York : Cambridge University Press, 2011
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Mime, music and drama on the eighteenth-century stage :  |b the ballet d'action /  |c Edward Nye 
264 1 |a Cambridge, UK ;  |a New York :  |b Cambridge University Press,  |c 2011 
264 4 |c ©2011 
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520 |a "The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre"--  |c Provided by publisher 
504 |a Includes bibliographical references and index 
505 0 |a The voice and the body in the Enlightenment -- A revival of ancient pantomime? -- No place for Harlequin -- Decroux and Noverre: distant cousins? -- Character and action -- Dialogues in mime -- Choreography is painterly drama -- The admirable consent between music and action -- Putting performance into words 
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650 0 |a Ballet  |z Europe  |x History  |y 18th century. 
650 0 |a Theater  |z Europe  |x History  |y 18th century. 
650 0 |a Pantomime  |z Europe  |x History  |y 18th century. 
650 0 |a European drama  |y 18th century  |x History and criticism. 
650 0 |a Music  |z Europe  |y 18th century  |x History and criticism. 
650 6 |a Ballet  |z Europe  |x Histoire  |y 18e siècle. 
650 6 |a Théâtre  |z Europe  |x Histoire  |y 18e siècle. 
650 6 |a Pantomime  |z Europe  |x Histoire  |y 18e siècle. 
650 6 |a Théâtre européen  |y 18e siècle  |x Histoire et critique. 
650 6 |a Musique  |z Europe  |y 18e siècle  |x Histoire et critique. 
650 7 |a DRAMA  |x General.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Dance  |x Classical & Ballet.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Dance  |x Modern.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Dance  |x Reference.  |2 bisacsh 
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650 7 |a Music  |2 fast 
650 7 |a Pantomime  |2 fast 
650 7 |a Theater  |2 fast 
651 7 |a Europe  |2 fast 
650 7 |a Drama  |2 gnd 
650 7 |a Musiktheater  |2 gnd 
650 7 |a Pantomime  |2 gnd 
650 7 |a Ballet d'action  |2 gnd 
648 7 |a 1700-1799  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Nye, Edward.  |t Mime, music and drama on the eighteenth-century stage.  |d Cambridge, UK ; New York : Cambridge University Press, 2011  |z 9781107005495  |w (DLC) 2011009504  |w (OCoLC)706625333 
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