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Push me, pull you : imaginative, emotional, physical, and spatial interaction in late medieval and Renaissance art /
Medieval and Renaissance viewers demanded art and architecture that provoked emotional and/or performative interactivity. The authors of these essays explore the history of this call and response from the view of both artists and devotees.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden :
BRILL,
2011.
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| Colección: | Studies in medieval and Reformation traditions ;
v. 156/1. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Volume One ; Contents to Volume 1; Acknowledgements to Volume 1; List of Contributors to Volume 1; Illustrations to Volume 1; Introduction to Volume 1; Part I Shifting Perspectives: Text, Image, and Interaction; 1. Encountering a Dream-Vision: Visual and Verbal Glosses to Guillaume de Digulleville's Pelerinage Jhesucrist; 2. Dangerous Passages and Spiritual Redemption in the Hortus Deliciarum; 3. Turning the Pages: Marginal Narratives and Devotional Practice in Gothic Prayerbooks; 4. Exploring the Border: The Breviary of Eleanor of Portugal.
- 5. Building Meaning: The First Architectural AlphabetPart II Imagined Pilgrimage and Spiritual Tourism; 6. Still Walking: Spiritual Pilgrimage, Early Dutch Painting, and the Dynamics of Faith; 7. Pilgrimage through the Pages: Pilgrims' Badges in Late Medieval Devotional Manuscripts; Part III Indulgences and Interactivity; 8. Prayers and Promises: The Interactive Indulgence Print in the Later Middle Ages; 9. Art and Advertising: Late Medieval Altarpieces in Germany; 10. Who Sees Christ? An Alabaster Panel of the Mass of St. Gregory; Part IV Performativity and Empathic Devotional Practice.
- 11. The Well of Moses and Roland Barthes's 'Punctum' of Piety 12. Sin and Redemption in Late-Medieval Art and Theater: The Magdalen as Role Model in Hugo van der Goes's Vienna Diptych; 13. Communicating with the Host: Imagery and Eucharistic Contact in Late Medieval and Early Renaissance Italy; 14. Empathetic Images and Painted Dialogues: The Visual and Verbal Rhetoric of Royal Private Piety in Renaissance Spain; Part V Reflections in Mirrors, Walls, and Interstices; 15. The Fairest of them all: Reflections on Some Fourteenth-Century Mirrors.
- 16. Bones and Stones: Imaging Sacred Defense in Medieval Cologne17. The Middle of Diptychs; Bibliography to Volume 1; Index to Volume 1; Volume Two ; Contents to Volume 2; Acknowledgements to Volume 2; List of Contributors to Volume 2; Illustrations to Volume 2; Introduction to Volume 2; Part I Manipulating Objects, Manipulative Objects; 1. Hugging the Saint: Improvising Ritual on the Pilgrimage to Santiago de Compostela; 2. Votives, Images, Interaction and Pilgrimage to the Tomb and Shrine of St. Thomas Becket, Canterbury Cathedral.
- 3. Cradling Power: Female Devotions and Early Netherlandish JésueauxPart II Insistent Images and Spaces; 4. Illusionism and Interactivity: Medieval Installation Art, Architecture and Devotional Response; 5. Consorting with Stone: The Figure of the Speaking and Moving Statue in Early Modern Italian Writing; 6. Images, Efficacy & Ritual in the Renaissance: Burning the Devil and Dusting the Madonna; Part III Revealing and Concealing; 7. Everybody's Darling. Transformation of Value and Transformation of Meaning in the Veneration of St. Elizabeth of Thuringia.